Bid games for Festival of the Larps 2013

So it's high time we all got bidding for Festival of the Larps 2013, Triskaidekafestival! The eight annual Brandeis larp con is set for April 12th through 14th and I will be serving as GM Liaison. As such, I would like lots and lots of GMs to liaise!

At the moment there are only a few bids in, so your game would be greatly appreciated. Don't worry if you're a new writer or GM, Festival is the place to try out your brain child. The more new and varied games we get, the better the con will be, so please step up and run something if you're at all able. Click here for the bid form to submit!

I myself will be running Break a Leg for the third time. Possibly even twice, if it's helpful, and if people are really nice to me. Still, it's a pretty small game, which doesn't give add many player slots to Festival. So I may need to run something else as well. Frankly I'm not sure I want to bring out any of my other games right now, but I think I could be convinced to run a game of someone else's. I'll have to do some thinking, and if anyone has any ideas, let me know.

And bid! Bid, bid, bid your games!

Chatting with the director for the reading of Mrs. Hawking

Tonight I had a phone conversation with the gentleman who is the director for my reading of Mrs. Hawking at Lesley. It was a very interesting conversation, but I had no idea what to expect going in. This is a weird process, I must say. I believe that the actors were arranged by Kate Snodgrass, an awesome professor in my program and a major figure in Boston theater. But as I doubt she read my play, the actors could not have been cast based on fitting the roles. What I suspect happened is my adviser Jami Brandli, who I liked very much, passed on the play's requirements in the most general terms-- a middle-aged woman, a young woman, two middle-aged men, et cetera. Okay, I guess I should have expected as much, but there are things I kind of hoped for in order to really hear how the play sounded. For example, I want to hear if I really emulated the Victorian voice, so ideally I'd get to hear it read in an English accent. The director implied that it might in fact be possible with this group, but I'm sure such a thing wasn't taken into account in the casting. Also, there's no rehearsal time. It's just a cold read. Again, that's fine if that's how it works, but I do wonder what the director has to do if there's no time to work on these things beforehand.

Of course, he may just be solely for my benefit, getting the perspective of somebody who reviews scripts for production professionally. And I was glad of what he had to say. He had a lot of good responses, and though he was trying not to criticize, he gave me his early reactions to a lot of things that pointed me in the direction of what I should possibly work further on. For example, he got me thinking that a lot of things I assume the viewer understands about how Victorian culture works-- such as how it would be very odd for a wealthy society matron like Mrs. Hawking to not have a housemaid --might not necessarily be clear to somebody who wasn't as educated on the subject as I am. He also had questions about the figure of Colonel Reginald Hawking. I want him to come across as mostly a good, decent man, but one who completely invalidated the person his wife truly was because it didn't fit into his patriarchal schema. But the director suggested that if that doesn't come across, Mrs. Hawking's anger with him may not be sympathetic. I want it to seem harsh, but at the same time understandable.

Also, and this was a bit vindicating, he found act one scene two where Mrs. Hawking and Mary are getting to know one another to be excessively abrupt. I thought that myself, and in fact it was longer in the original draft, but after receiving critical feedback that it was too slow, I cut it. It pleased me to hear a professional director agree that there needed to be more of the two of them getting know one another. Also, he was familiar with the writing styles of those like Coward and Wilde that I was working to emulate. As great as the instruction I've been receiving has been, one perspective I haven't had much of is whether or not I achieved that emulation. It was cool to have somebody be able to tell me I did that. 

I'm excited to see how it goes. I wish I had time to incorporate some of his suggestions, but I've already printed all the scripts. So we'll see what happens, if you join me this Tuesday. Remember, it's this Tuesday January 8th from 6 to 8PM in the Marran Theater in the Student Center, Doble Campus, Lesley University at 29 Everett Street, Cambridge, MA.