Nearing tech week for Sherlock Holmes!
May. 24th, 2012 01:15 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
breakinglight11I turned down a part I got in a show today. That's the first time I've done that except in undergrad when I was choosing one show over another, back in the day when it was the etiquette to do so. The role was Dolabella in the Gazebo Players summer production of Antony and Cleopatra, directed by the awesome Debbi Finkelstein. I've always wanted to work with her, but the role is small and I am called for an awful lot of rehearsal given that, which when it requires an hour round-trip of driving just seems like too large a commitment of time. It would have been fun, but I will have just too much grad school work by then to take away time from working on it for a part I don't feel passionate about. I just hope I sounded polite and gracious when I declined. I still would really like to work with Debbi as a director someday, as I've heard she does good work.
This is a picture of me with our Sherlock Holmes. Tonight is the last Holmes rehearsal before tech week begins. I have enjoyed this process immensely, and I feel really good about the show. Having this role has been great for me. I got it strictly by giving a good audition, rather than people knowing me already, which made me proud of myself. And getting the chance to dig into an interesting character and develop a complete performance To be honest I find this conception of Irene in the script to be a little nonsensical if you scrutinize her too much, but I've reconciled and made her my own.
Lenny said to me a little while ago that she thought my best performances were the ones where I didn't need to worry about projecting the opposite gender-- specifically, Cordelia, the Fool, and Puck. Something I've always wondered was if my acting was hobbled a little by having to distract myself with projecting a masculine carriage. Also, because I am so willing to cross cast, I think I get automatically discounted for female roles sometimes because there's always girls who insist that they absolutely can't play a guy. :-P And then most people tend to not want to cross cast important male roles, which means I don't get considered for those either, which limits me further. I should probably just quit saying I'm willing, though I hate the idea of making myself sound so delicate. But it's been nice to get a real role who's a woman for once and be able to concentrate all my energy into acting the character. Also, it's kind of flattering to have gotten it. It's fun getting to be the Pretty Girl. Don't get me wrong, I've loved me my dude roles, but especially given how down I'm been feeling about myself, it's made me feel good to know that people think I make a believable embodiment of a brilliant, singular woman with "a face a man might die for." ;-)
The cast and crew have been great too. They're all really nice and extremely talented, pushing me to try and do better so I measure up to them. I would be happy to work with them again anytime. Even if you're coming to see me, it would be worth it to come to see them.
This is a picture of me with our Sherlock Holmes. Tonight is the last Holmes rehearsal before tech week begins. I have enjoyed this process immensely, and I feel really good about the show. Having this role has been great for me. I got it strictly by giving a good audition, rather than people knowing me already, which made me proud of myself. And getting the chance to dig into an interesting character and develop a complete performance To be honest I find this conception of Irene in the script to be a little nonsensical if you scrutinize her too much, but I've reconciled and made her my own.
Lenny said to me a little while ago that she thought my best performances were the ones where I didn't need to worry about projecting the opposite gender-- specifically, Cordelia, the Fool, and Puck. Something I've always wondered was if my acting was hobbled a little by having to distract myself with projecting a masculine carriage. Also, because I am so willing to cross cast, I think I get automatically discounted for female roles sometimes because there's always girls who insist that they absolutely can't play a guy. :-P And then most people tend to not want to cross cast important male roles, which means I don't get considered for those either, which limits me further. I should probably just quit saying I'm willing, though I hate the idea of making myself sound so delicate. But it's been nice to get a real role who's a woman for once and be able to concentrate all my energy into acting the character. Also, it's kind of flattering to have gotten it. It's fun getting to be the Pretty Girl. Don't get me wrong, I've loved me my dude roles, but especially given how down I'm been feeling about myself, it's made me feel good to know that people think I make a believable embodiment of a brilliant, singular woman with "a face a man might die for." ;-)
The cast and crew have been great too. They're all really nice and extremely talented, pushing me to try and do better so I measure up to them. I would be happy to work with them again anytime. Even if you're coming to see me, it would be worth it to come to see them.
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no subject
Date: 2012-05-24 05:24 pm (UTC)no subject
Date: 2012-05-24 05:30 pm (UTC)Natick, MA 01760!
Performances
Friday, June 1, 2012 - 8pm (Opening Night Gala afterwards)
Saturday, June 2, 2012 - 8pm
Sunday, June 3, 2012 - 2pm
Friday, June 8, 2012 - 8pm
Saturday, June 9, 2012 - 8pm
Sunday, June 10, 2012 - 2pm
You can buy tickets here: http://www.natickarts.org/tcan_ticketsales.php
They are $18 regularly and $9 for students!
So glad you asked!!!
no subject
Date: 2012-05-24 05:28 pm (UTC)no subject
Date: 2012-05-24 05:30 pm (UTC)no subject
Date: 2012-05-25 01:50 am (UTC)And you've never needed to play Irene to be the brilliant and beautiful woman. It's great to see you in a role that makes use of your natural talents.