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Today's piece is also part of "Disgraced," my idea for a series about an upperclass English girl in 1914 who is forced to move with relatives in Newport, Rhode Island to escape the shame of a scandal and build a new life.
This piece takes place before "#3 Companion" when our hero Elise first arrives in her aunt's house.
No One Knows You Here
By Phoebe Roberts
ELISE CHARNMORE, niece to the earl of Brockhurst
ELEANOR HAVERHILL, her great-aunt
Newport, Rhode Island, 1914
~~~
(ELEANOR and ELISE sit in a luxurious parlor over tea. ELISE’s cup and plate sit untouched in front of her.)
ELEANOR: And are you all settled in?
ELISE: Rosaline’s still unpacking.
ELEANOR: Do you like your room?
ELISE: Oh, it’s lovely. Very large, and a great deal of light. And I do so enjoy the, uh… the persistent cherub motif in the décor.
ELEANOR: Thank you, dear. I chose it myself.
(Pause.)
ELEANOR: Elise, we’re so happy to have you.
ELISE: Are you really, Auntie?
ELEANOR: Of course we are.
ELISE: You aren’t afraid I’ll bring shame upon your house?
ELEANOR: Elise! We needn’t talk about this.
ELISE: That’s why I’m here, isn’t it? Because none of my local relations wanted me darkening their doorsteps.
ELEANOR: You must understand, the circumstances are quite different there.
ELISE: They seemed to believe so.
ELEANOR: But you should be glad, my girl. In America, you won’t be troubled.
ELISE: And why is that?
ELEANOR: Why, no one knows you here, of course.
(ELEANOR’s head slumps to the side as she lapses into a narcoleptic sleep.)
ELISE: Ah.
(ELEANOR wakes again with a start.)
ELEANOR: What? What? Oh, Elise, dear. What were we talking about?
ELISE: Nothing, Auntie.
This piece takes place before "#3 Companion" when our hero Elise first arrives in her aunt's house.
No One Knows You Here
By Phoebe Roberts
ELISE CHARNMORE, niece to the earl of Brockhurst
ELEANOR HAVERHILL, her great-aunt
Newport, Rhode Island, 1914
~~~
(ELEANOR and ELISE sit in a luxurious parlor over tea. ELISE’s cup and plate sit untouched in front of her.)
ELEANOR: And are you all settled in?
ELISE: Rosaline’s still unpacking.
ELEANOR: Do you like your room?
ELISE: Oh, it’s lovely. Very large, and a great deal of light. And I do so enjoy the, uh… the persistent cherub motif in the décor.
ELEANOR: Thank you, dear. I chose it myself.
(Pause.)
ELEANOR: Elise, we’re so happy to have you.
ELISE: Are you really, Auntie?
ELEANOR: Of course we are.
ELISE: You aren’t afraid I’ll bring shame upon your house?
ELEANOR: Elise! We needn’t talk about this.
ELISE: That’s why I’m here, isn’t it? Because none of my local relations wanted me darkening their doorsteps.
ELEANOR: You must understand, the circumstances are quite different there.
ELISE: They seemed to believe so.
ELEANOR: But you should be glad, my girl. In America, you won’t be troubled.
ELISE: And why is that?
ELEANOR: Why, no one knows you here, of course.
(ELEANOR’s head slumps to the side as she lapses into a narcoleptic sleep.)
ELISE: Ah.
(ELEANOR wakes again with a start.)
ELEANOR: What? What? Oh, Elise, dear. What were we talking about?
ELISE: Nothing, Auntie.