Vintage images of color
May. 3rd, 2013 11:58 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I love vintage images of people of color. I love vintage images, period, I've gotten extremely into period pierces that are immersed in the trappings and the zeitgeist of a different time, particularly of women. I love the differences in the way they dressed, how they decorated their homes, the music they listened to, it has this beautiful particularity to it. But it's especially compelling to see a woman of color with a sharply classic hairstyle or dress. It's very aesthetic to me, first of all, but it's more than just I find it pretty.
It's a powerful statement against erasure. Media, advertising, whatever until very recently only had white people in it. It's very easy to get an image of periods in the past as very whitewashed. But America had other people in it too, people who wore clothes and did their hair and participated in culture just like everybody else. It's one of the reasons I love the TV show Cold Case, which I am going to have to do a full review of some point. It solves murders from a long time ago, and it encapsulates fabulous period pieces that very often tell the untold, underrepresented stories of marginalized groups-- women, people of color, queer people, trans people. An in doing so, it depicts those people as we very rarely get to see them. Here are two images from particularly good episodes, one of a family that was sent to a Japanese internment camp during WWII, and one of a woman who traveled South to support the freedom schools during the Civil Rights Movement.


I love their vintage hair-- rolled in the forties, styled up and out in the sixties -- and their vintage clothes that are the marks of the time, and all the experiences, through which they lived. Vintage images of people of color, bearing the marks of the time and place in which they live, scream, "We were there! We experienced! The things that were going on then, we went through them! We mattered!" I love how Cold Case depicts this.
And, seriously. Are you going to tell me they're not fabulous?



Seriously. As a side note, go watch Cold Case. Start with this episode, Best Friends, from which that last image is drawn. If it doesn't blow your mind with its fabulousness, well, I don't know what kind of person you are.
It's a powerful statement against erasure. Media, advertising, whatever until very recently only had white people in it. It's very easy to get an image of periods in the past as very whitewashed. But America had other people in it too, people who wore clothes and did their hair and participated in culture just like everybody else. It's one of the reasons I love the TV show Cold Case, which I am going to have to do a full review of some point. It solves murders from a long time ago, and it encapsulates fabulous period pieces that very often tell the untold, underrepresented stories of marginalized groups-- women, people of color, queer people, trans people. An in doing so, it depicts those people as we very rarely get to see them. Here are two images from particularly good episodes, one of a family that was sent to a Japanese internment camp during WWII, and one of a woman who traveled South to support the freedom schools during the Civil Rights Movement.


I love their vintage hair-- rolled in the forties, styled up and out in the sixties -- and their vintage clothes that are the marks of the time, and all the experiences, through which they lived. Vintage images of people of color, bearing the marks of the time and place in which they live, scream, "We were there! We experienced! The things that were going on then, we went through them! We mattered!" I love how Cold Case depicts this.
And, seriously. Are you going to tell me they're not fabulous?



Seriously. As a side note, go watch Cold Case. Start with this episode, Best Friends, from which that last image is drawn. If it doesn't blow your mind with its fabulousness, well, I don't know what kind of person you are.
no subject
Date: 2013-05-03 10:04 pm (UTC)no subject
Date: 2013-05-04 12:50 am (UTC)But seriously. Start with that ep I linked to, "Best Friends." PHENOMENAL.
no subject
Date: 2013-05-06 06:44 am (UTC)http://www.npr.org/2007/12/20/17335538/weenie-royale-food-and-the-japanese-internment
Assimilation and Japanese-Americans is such a complicated concept, especially in light of overwhelming pressures to conform from many different sides, from Imperial culture romanticizing "Old Nippon" to the pressure to become "good Americans." It is *still* a complicated problem faced by nisei and sansei, although the face of it has changed.
That lipstick, that smile--it speaks to me of positivity in face of unimaginable difficulty, of trying to stay true to one's cultural values from a country left behind and embrace the values of a country immigrated to.
It's just an amazing picture full of joy and sadness.