May. 29th, 2015

breakinglight11: (CT photoshoot 1)
Accomplishment chart, 5/22 – 5/28

Writing
- brainstormed clues and information sources for Base Instruments
- wrote pitch for Adonis with Bernie
- started style guide for Game Wrap, version 1
- signed up for pitch session for Adonis
- wrote 1 blog entry for Mrshawking.com
- practiced pitch for Adonis
- 1 Livejournal entries
- 6 daily Hipster Feminist tweets

Gaming/Larp
- had 1 editorial meeting for Game Wrap larp magazine

Website
- posted 2 blog entries on Mrshawking.com
- interviewed [livejournal.com profile] in_water_writ about costuming for Mrshawking.com

Media
- listened to episode 9 of Tom and Lorenzo’s Pop Style Opinionfest
- attended [livejournal.com profile] crearespero's poetry reading

Physical
- 1 hour-long circuit workout
- 2 two-mile walks
- helped [livejournal.com profile] in_water_writ with moving
- 1 two-mile run
- 1 ballet class

Cooking
- made an onion and pepper omelette with roast sweet potato
- made chicken marsala with steamed broccoli
- made hamburgers with avocado and sautéed onions and mushrooms
- made roast chicken with green salad
breakinglight11: (CT photoshoot 1)
"The color of Mrs. Hawking"

Color choice in theater has always been very important to me. As a visual medium, it can add a great deal to the experience, and I think you can invest a lot of medium when color is carefully chosen.

1.1. "Is that the girl?"


Though not as a firm rule, we stuck to a very definite color palette in Mrs. Hawking. It was partially luck, as in many things, such as the costume design, we were limited by what we were able to acquire on our budget. But as anyone who is family with my own design tendencies would notice, I am often drawn to particular colors, in particular combinations when I’m working on the production design of shows.

Mrs. Hawking is mostly focused in a limited palette of six colors, specifically set up as dichotomies: red and blue, black and white, silver and gold. It’s not the first time I’ve sampled from that selection, as I find they’re highly evocative combinations. The trick is not to necessarily make the audience understand exactly what you intended with them, but to encourage them to draw connections and notice juxtapositions.

1.5. "Soldiers, miss?"


Read the rest of the entry on Mrshawking.com!

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