breakinglight11: (Default)
Finally got around to checking out William Nicholson’s play Shadowlands, a dramatization of the process of C.S. Lewis falling in love with his wife Joy Davidman Gresham, and dealing with her eventual death of cancer just a few years later. It was sweet and sad and I quite enjoyed it, to the point where I wonder if my long-standing interest in the subject matter might have biased me. But I thought it was quite good, with strong characterizations, excellent dialogue, and lots of lovely little touches that came from an understanding of the actual historical people’s lives. A Grief Observed, a clear inspiration for the work, is one of my favorite pieces of Lewis’s; it was important to me both in dealing with my grief over my mother’s death, and with my own struggles to remain hopeful in the face of pain. So I may be a bit inclined to like it, but I still thought it was good on its own merits.

The only real critique I have of it are that the ending feels a bit rushed; it does touch on how the loss of Davidman shook Lewis’s faith for a time, and he had to rebuild it, but I thought it got to that rebuilt place a bit faster than made sense. Also, there was a moment that didn’t work for me if only because it contradicted an explicit point made in A Grief Observed. There’s a scene where Lewis’s older brother Warren encourages him to speak to his stepson about their shared sorrow over the loss of Davidman. It’s a pretty well-written scene, and I can see why the writer felt it was narratively necessary, but it bugged me because Lewis explicitly says in the memoir that he attempted to talk to the young sons she left behind about it, and it was so uncomfortable for all of them that he quit trying. The scene in the play has that moment go way better than he describes it, and while I get it was a dramatization rather than a biography, it still rang false to me.

My favorite part of the construction was the way it intertwined the story with Lewis’s wrangling with the subject that most preoccupied him in his theological life— what he called “the problem of pain,” the question of how a God that loves us can allow pain in the world. If you’re going to write about Lewis as a character and capture anything true about him, that really does have to be part of his personal struggle, and I thought the play incorporated it well. It also drove home an understanding I always felt was necessary to get Lewis and his work— that this is a man who hurt —because nobody would become so obsessed with that question unless they had a lot of suffering they needed to make sense of.

”How’s the pain, Joy?” “Only shadows, Jack.”
breakinglight11: (CT photoshoot 1)
Today is Mardi Gras, which means that the start of Lent is tomorrow. I like to observe Lent in some way, mostly as an exercise in self-discipline for a structured duration for a good cause. Traditionally the observance is giving up some indulgence, particularly one that isn't good for them. Most people now interpret with something food-related; I myself used to use processed sugar as my go-to, and while that would probably be good for me right now, I think I'd like to use it as an opportunity to change some behavioral habits that I'd like to improve in some way.

Last year for Lent I gave up procrastination, and that was actually pretty good for me. I resolved to do the things I needed to at their appointed time, rather than putting them off to the last minute, as well as cutting down on "screwing around time," like being on Twitter when I should have been working or something. I think I'd like to do something like that again. I feel like my work habits need an overhaul, as I've fallen back into the struggle to get my head into whatever I'm doing, and being highly distractable, even from tasks I theoretically want to do. I am going to devise a system that I will stick to for Lenten period, and see if in that time it gets more natural or automatic.

I like giving it a shot over Lent because doing it for a set period makes it feels easier than just "you have to work hard on this forever indefinitely." And with that period of practice, it might get easier to implement on a consistent basis. Structure always helps my brain, and lately I can use a dose of it to get me back on track.

Lent 2016

Feb. 9th, 2016 06:10 pm
breakinglight11: (CT photoshoot 1)
Mardi Gras snuck up on me yet again this year. I like to give up something for Lent, but I haven't given any thought to it. Usually I give up something food-related-- processed sugar is a perennial choice --but it wouldn't make much of a difference given how I've been eating these days. I'd like to choose something that would be meaningful. For me, I use Lent as a way of practicing self-control and bringing about personal change.

But what to do this year? Maybe trying out something that would be tough to do for an extended period but would be doable for forty days. Something that would be healthy for me, or in the service of some kind of self-improvement. Maybe I could pick a bad habit of mine and resolve to avoid it. But which one? Oh, there are so many. Or, alternatively, I could try to adopt a good habit. Again, so many I so desperately need.

Really not sure what now. I'll have to think about it tonight so I can start tomorrow.
breakinglight11: (CT photoshoot 1)
A quick status update.

GHOSTSHOW is finished and I feel very good about what we did. I want to take a short break to recharge a little, then I'll have to get on the stick again and start my next project.

My current major writing endeavor is Brockhurst, the Downton Abbey-inspired WWI-era larp I'm writing. That will be what I focus most of my energy on over the next month. Means I need to set aside a lot of writing time.

I gave up processed sugar for Lent. I had gotten to the point where my body was craving it, which isn't a good sign, so I thought purging it cold turkey would be a good idea. It's actually been easier than I thought. The only real sugar craving I've had, hilariously, flared up when I was listening to Elementary's Sherlock Holmes talk about addiction.

I am a bit strapped for cash right now. A big heating bill and some unexpected car troubles have been a bit more than I can easily handle, so I will have to be careful for a while.

Think that's everything that's notable and important right now.

SLAW 2013

Nov. 17th, 2013 10:06 pm
breakinglight11: (CT photoshoot 1)

Went to SLAW at WPI this past weekend, and I am glad. For a while I was worried adding it to my already huge workload was a bad idea, particularly when it looked like Paranoia was not going to fill, but it was a really good time. I played in two games, both on Saturday, in addition to running Paranoia with the team,

The first was The Other Side of the Glass by [livejournal.com profile] wired_lizard and [livejournal.com profile] mllelaurel, whose games I always enjoy. I am always slightly tripped up when I have to learn a complicated made-up metaphysical system in order to be successful at a game, but the writing and characters were so compelling it was fine. I played a character who was very tied up in the mirror-based magic of the world, and I got to wear Mrs. Hawking's stealth suit for my costume. :-) I feel like I may not have taken the best advantage of all there was to my character, who had an interesting psychology, but I definitely had a good time.

The second game was A Single Silver Coin by [livejournal.com profile] laura47 and Peter Litwack. The description and game materials did not particularly grab me, I must be honest, but I had heard so many glowing reports of it that I had to sign up. It did not disappoint. It delivered an intensely compelling emotional journey in an interesting religious context. I get cast as religious characters fairly often, mostly because I say I don't mind it on casting questionnaires. The religion in this case was made up, but I was definitely a True Believer, the kind who honestly did their best to do right, and the way that made sense for me to portray it was through the lens of my own faith. Though I tend to be fairly private about it, I am an educated practicing (if deeply critical) Catholic, and it gave me a schema to use. I got to use many of the on-point lines from Hamlet and C.S. Lewis, particularly his beautiful faith-as-house-of-cards metaphor, talking about things there isn't a lot of call to talk about in my life. It was a beautiful game, and I'm extremely glad I played.

On Sunday we ran Paranoia. This was the fourth run, and sadly it didn't fill up until the game running opposite of it dropped. The original writing team of me, Bernie, Matt, and Mac minus Bernie's brother Joe made up the GMs, plus Michael filling out the fifth slot. He made for a wonderful addition, taking on the role of HK47 and 1/2, the bitter warbot brain stuck in the mechanism of the storage bay. Also we were fortunate to have Aaron Fischer take on the role of the Friendly Luggage Bot, an NPC added for color and texture to the game world. He had a very unique and hilarious interpretation, and we're so grateful he took the time to help us. This game isn't the sort that I'd like to play all the time, but when I feel like something silly and high-energy it's exactly right. We managed to make the somewhat one-note joke of Paranoia (kill-the-traitors-that's-above-your-clearance-level) work for a four-hour game, and managed to give just enough plot to sustain it while keeping it pretty damn funny. I'm proud of us, and glad that we were able to make the run happen.

As always, now I'm in a larpy headspace. Festival will be coming in April, which is one of the most important weekends of my year, so I need to figure out what I'll be bidding then. I'd love to have a new game, but I really do not have time to write something as big as any of the ideas I've got on the back burner at the moment. We'll see what I decide.

breakinglight11: (CT photoshoot 1)
With everything that's been going on, Mardi Gras and Ash Wednesday have already come and gone without my realizing. Even so, I want to do something for Lent. I thought about it and I've decided that I'm going to give up being ashamed of myself. I have spent so much time and energy trying to hide things that I'm struggling with, to stop myself from displays of emotionality that I'm afraid people will think are unseemly. But I feel like I shouldn't do that right now. It might have saved me some judgment from people, but I shouldn't care about people who would judge me for being in pain over legitimate struggles in my life, and I think it did much more to trap me into having no way to deal with those struggles. Also, I just don't have the strength to pretend about that stuff. I have to get myself through this without wrecking my whole life, I need to have fewer things to worry about in order to do it. I have more important things to do than keep things that have hurt me secret.

This will be a big shift for me. It might end up being easier to do things the way I always have. But this also might help makes things easier in the process. I don't know. But I'm going to try it, in hopes that getting a little healthier will help me get through.
breakinglight11: (Default)
theaterwritingchallenge

I just wrote a scene and I freaking love it.

Dolls That Say "I Love You" on Command

(SAM, a troubled former FBI agent, walks down the street. She grips her purse uncomfortably and hurries along. Soon she comes across a park bench where a little girl in a frilly dress sits, holding a baby doll and smiling at her. She recognizes this as a form of SARIEL, her guardian angel.)

SAM: Oh, Jesus.

LITTLE GIRL SARIEL: Hi, Sam. I’m surprised to see you out and about. Since you think so little of these imperfect creatures God made.

SAM: Oh, save it.

LITTLE GIRL SARIEL: No, our conversation really got me thinking. It’s a good question, why God would make you all so full of sin and so prone to rejecting Him and all his love.

SAM: I’m not up for a deep theological discussion right now, okay?

LITTLE GIRL SARIEL: Okay, okay. But don’t go. Since we ran into each other, you might as well come hang out a while.

(Sam looks around nervously to see who might be watching.)

SAM: Why do you show up like this? Why a little girl?

LITTLE GIRL SARIEL: Because it means people are a lot nicer to me when I want to sit around and play with dolls.

SAM: People see me talking to you, they’re going to think I’m a kidnapper or something.

LITTLE GIRL SARIEL: Oh, don’t worry what other people think for five minutes, okay? Just sit down.

(She sits on the bench beside him.)

LITTLE GIRL SARIEL: Check this out.

(He tips the doll forward and back. Its recorded voice box says, “I love you!”)

LITTLE GIRL SARIEL: Nice, huh?

SAM: So?

LITTLE GIRL SARIEL: So, they make these baby dolls who say “I love you.” Whenever you want, they just say it to you. It’s a present for you.

SAM: For me? Why?

LITTLE GIRL SARIEL: You know, since Chris and all.

SAM: Is this a joke?

LITTLE GIRL SARIEL: Well, you were really broken up about having been left by the person who loved you.

SAM: What? Oh, Jesus!

LITTLE GIRL SARIEL: I thought this might fill the void.

(He proffers the doll, making it say "I love you" again. She shoves it back at him.)

LITTLE GIRL SARIEL: What? It doesn’t?

SAM: You’re an asshole.

LITTLE GIRL SARIEL: Oh, I’m sorry. You mean to say, a doll that’s built to say “I love you” on command isn’t worth the same as a creature of free will who loves you of his own accord?

(Sam turns to stare at him, disturbed. Little Girl Sariel makes a snotty face and spreads his hands.)
breakinglight11: (Teasing Fool)
My grandmother certainly considered herself to be white. Her name was Julia Leone, nee Gush, and though I never had the chance to ask her about it or anything, that was still pretty clear. She had plenty of reason to. She had skin that was within the reason range of shades for a white person and no features that marked her otherwise. Her maiden name had any indication of ethnicity mangled out of it before she was born, while her married name, though Italian, was white enough. Her husband was white; she was even the mother of a pink-skinned, green-eyed, yellow-haired girl-- the proverbial angelic blonde child. The culture she sprang from and identified with is white culture. If you saw a picture of her, chances are you would not think anything different.

But really... my grandmother wasn't all white. Not completely. She was a first-generation Russian-American. Both of her parents emigrated from Russia in the early Twentieth Century. They met, married, and had eleven children in a small town outside of Pittsburgh, Pennsylvania, one of whom was my grandmother Julia. They spoke Russian, worshipped at a Russian Orthodox Church, and identified with the associated ethnicity. My great-grandmother Anna Sherba was fair and blonde, the source of Mom's looks, so unlike either of her parents. This is not an usual appearence for an ethnic Russian, but I was very surprised to hear it-- after all, Grandma, the foremost representative of Russian blood in my life, had sharp features and dark coloring. But that's because of my great grandfather, Tymko Gush, known sometimes as James Gush, whose real surname was lost to Americanization a hundred years ago. According to my Mom, he had tan skin, high cheekbones, and almond shaped eyes. To look at him, he was not a white man, he was obviously Asian.

Because of the Mongolian conquest of the area that would become Russia, there are parts of it where the inhabitants have quite a bit of Asian blood. I'm not positive, but my great-grandfather may have even been Siberian, where it is particularly common. Because of this his ethnicity would be hard to qualify, since he was likely the product of generations of mixed people marrying other mixed people, but he was probably some proportion of Asian and white. That combination is likely the reason why my grandmother looked as white as she did. But it makes me wonder-- what did my great-grandfather consider himself? Did he think of the white versus nonwhite issue? Or was he just "a Russian," a more important distinction in a new country where so few share your ways and customs? I have no idea if there's any conflict between Russians of pure Caucasian decent and the Russians who have some Asian in them. In America, I know pretty much every immigrant in my family suffered some poor treatment from someone on account of their ethnic background. Did my great-grandfather ever get treated differently for someone recognizing him to be nonwhite?

I think of my immediate family. Now on the third generation in this country, my family appears very white, and benefits from the associated privilege. In fact, people have assumed that we must have the very highest level of privilege that being white in this country can possibly confer on you because of how well we present-- that we're not descendents of relatively recent immigrants (we are), that we do not have a close working class history (we do), that we come from people who are rich and educated (we don't). My grandparents-- poor, uneducated, and foreign --did not experience that same privilege. Their backgrounds made them targets for all kinds of hate and discrimination; even my mother and father faced some of that growing up. But still, the time and place my grandmother lived, when you're already suffering because you're ethnic, well, at least you're not tormented for being nonwhite. Getting to claim whiteness was some status better than none. So I guess it's not so strange that my grandma would forget or ignore that part of herself. After all, people tend to consider you to be what you look like. When she looked around, in the mirror or at her blonde daughter, it was probably easy to forget.

Tymko Gush, however, is not the only one I wonder about on that side. My great-grandmother Anna makes me wonder as well. She came to this country from Galitzia, a small area that has been owned by several countries but at the time was Russia, at the age of seventeen to escape the Bolsheviks. At the time, many Jewish families were fleeing from the exact same place to America as well. Her first job in the country was working as a maid for a Jewish family. And I realized when I came to Brandeis that many of the weird "family words" we'd been using-- nebbish, noodge, schmatta --were Yiddish, and had come into use because Anna used them. Those are small things, but they made me wonder... could my great-grandmother have actually been born a Jew?

My mother scoffs at the idea. That blonde ethnic Russian? This was the woman who took her to church every Sunday, who was devoutly Russian Orthodox her entire life. She explains the Yiddish with Anna's maid job when she was first learning English, so their words became her words. (Also, it turned out we used them mostly wrong.) Mom's almost certainly right; of course she knew the woman and I never did. But I can't help wondering, if for only one reason-- Anna Sherba was my mother's mother's mother. So if she was Jewish, then under the law, so are we. So am I.

I know myself to be a white Christian. Though I acknowledge my background to be infintessimally nonwhite, I think it would be silly to consider myself as anything else. That part of me is extremely small and extremely distant from me, plus I see a pale face and Caucasian features when I look in the mirror. But it's fascinating to know it's there in my background-- that I'm a little more complex than meets the eye. And I'm a Christian in my bones. I've heard of people discovering their Jewish heritage and deciding to return to it, but I can't imagine why that alone would be enough to draw you. It certainly wouldn't compel me. But how strange to think that a fact in the past could possibly make something true, that, without its acknowledgement, seems like a fanciful impossibility. I could, technically, be a Jew. It doesn't change me... but it changes something.

Funny how these things work.
breakinglight11: (Cool Fool)
My last science fiction and fantasy submission for the semester. This time I tried to introduce a lighter element by showing Gabriel having a friend. There are in the Ministers of Grace who have gotten past his appearance and nature. One of them is Marcus, a student from America who was sought out for his manifestation of powers of superhuman strength. He tries to be a good friend, even when it's hard, and calls Gabriel "Batman." There's also a mention of Rachel, who is an English student with the power of empathy, and her agnosticism has not been improved by witnessing what Gabriel has to go through.

"Whatever you say, Batman." )
breakinglight11: (Joker Phoebe 2)
This is another piece of Fallen that I wrote for school. It builds upon this piece, where Julien offers to hear Gabriel's confessions in hopes of helping ease his burden. But he learns that Gabriel's burden is greater than he'd ever guessed, and he has no idea how he's going to find the way to help him.

Julien had an engagement late on Sunday nights. )

breakinglight11: (Cordelia)
This is part of what I wrote for my most recent science fiction and fantasy submission. This is another part of Fallen, this time from the point of view of a young priest named Father Julien Alencon. He is French and gifted with a power he calls "insight," the ability to receive flashes of truth about the natures of people around him. He was chosen to replace the last chaplain at the school of St. Michael's because of his record and his power. This is the beginning of his relationship with Gabriel.

Confession with the new priest )

breakinglight11: (Joker Phoebe 2)
I wrote this short piece as a submission for my science fiction and fantasy class. This is a scene from a fantasy novel I have been thinking of writing for quite some time. The idea is that after a great battle with the forces of hell, a team of people from a religious university that trains people with special powers find what seems to them to be a baby demon. A nun named Magdalena speaks up for his life, names him Gabriel, and raises him at the university to fight on their side. Still, he is regarded as a monster by many and struggles a great deal with the question of whether or not he really is one, particularly when he is confronted by how holy objects have the power to hurt him.

This part is inspired in large part by the Night on Bald Mountain segment of Fantasia. I do so love my Catholic ceremony, imagery, philosophy, and issues of guilt. ;-)

La Voix was a bell of the church... )

breakinglight11: (Ponderous Fool)
My equilibrium is so fragile these days. My frustration tolerance is practically nil, which just throws everything off. But yesterday was Ash Wednesday, the day we remember our mortality and the human struggle. We are but dust and to dust we shall return. So I am doing what I can to let it all go.

For Lent this year I am not going to take my usual approach of just giving something up. I am going to frame it in terms of sacrificing indulgence in the form of wasting time and energy on useless actions and unhealthy negativity. I want to give myself some assignments to stick to in order to improve my physical and emotional health. I haven't been taking very good care of myself lately-- not my body, not my mind, not anything. So I am going to impose a healthier routine on myself to see if it doesn't improve how I feel, and therefore how I am as a person. This will include:

- no junk food of any kind
- exercise at least three times a week, preferably five
- drinking more water
- scheduling time for activities (writing, sewing, etc) to make sure I actually do them
- letting things roll off my back rather than get upset and ruin my whole mood and outlook
- checking myself when I get unkind or excessively judgmental
- getting in the habit of saying daily prayers

I have a very good track record of sticking to the resolution I make for the period, so maybe if I resolve to better habits I will actually stick to it. That's kind of a tall order, but it never hurts to try. I could use a little better balance. I'm tired of feeling so off all the time. My reasoning is that if I feel stronger and more serene, I will be able to be a better human being to other people. Which I would hope is in the spirit of Lent.
breakinglight11: (Mad Fool)
I have always been a fan of cassocks, the long, severe coats worn by priests outside of liturgical dress. I like how many different vibes they can give off; authoritative, modest, powerful, reliable, separated, even scary. If anyone ever saw that lame comic book adaptation Ghost Rider from a few years back, you may remember the way Peter Fonda playing Mephistopheles. My mom pointed out to me, "They have him dressed like a bishop." So they did, and I thought it looked incredibly creepy and cool.


Ever since seeing Andy Kirschbaum in his awesome black cassock at Venezia I have had a bee in my bonnet about having one. I'm not really sure why. Women don't really wear them, and it's not like I don't have enough coats, or an abundance of opportunities where it would be appropriate to dress like a priest. But I like the idea nonetheless.

I bought this pattern on eBay as a compromise, so I could eventually make my own one day that would fit me if I really really wanted. It came in the mail yesterday along with the costuming I ordered. Looking at it, the front is pretty simple but the back looks complicated, with lots of tailored placed and pleats in the folds, so it's probably too difficult for my current skill level. It also doesn't have the capelet like higher-ranking priests wear either, though that would be easy enough to draft. I don't know what I'd do with it if I did make it, maybe just take lots of weird pictures of myself as a girl priest or something, but now I have the option if it bugs me enough.
breakinglight11: (Puck 5)
Recently got my castings for two larps that are coming up in the near and nearish future. Still waiting on character sheets, but I at least know who I am. The first was for the test run of Venezia, which will be on January 28th, and the second for An Evening Aboard the HMS Eden, a steampunk literary pastiche at Intercon.

I confess I was a bit disappointed at first with my Venezia casting. In a game basically designed for high-class intrigue as pretty pretty princesses in Renaissance frockery, I will be playing Girolamo Savonarola, a Dominican friar who was a lifelong enemy of Rodrigo Borgia, the detestable Pope Alexander VI. Cross cast as a monk among noble ladies, ah, well. But after the initial reaction I decided this could be a lot of fun. I certainly have the ability to work myself up into a froth of righteous Catholic rage, and I sure as heck don't get much of a chance to really plunge into that sort of mindset. My faith expresses itself usually in a very private, internal way, so it might be cathartic to blow it into the most intense proportions possible. I've got some vague ideas for a costume, too; I don't want to lurch around in a big sacklike robe, so I'm envisioning a long vest sort of thing, belted at the waist, with a hood that I can stare creepily at people from within its shadows. I think I could handle making such a thing, once I have the time.

For HMS Eden, apparently in a game where everyone requested to be Irene Adler, I actually got cast as her. As a huge Sherlock Holmes fan, I like the Irene Adler character a lot-- especially how Doyle actually portrayed her, rather than countless corruptions by other interpreters --so this should be a lot of fun. I have no idea what to wear as her. I would love to do myself up like the classic steampunk adventuress, if I can find the right pieces. Hmm, maybe I should model my look on what Charlotte wore as the Duchess in Othello; that was a pretty slick look, one of my favorites of all the cool costumes in that play. Again, once I finish my more immediate projects, costuming will be the next thing I focus on.

breakinglight11: (Cavalier Fool)
I just ate a fantastic piece of white chocolate almond bark to celebrate the end of Lent. It's not the chocolate-covered roast suckling pig I've been longing for, but it'll do.

How is it that the month I give up sugar and butter in everything is the month I get fat?

Oh, also, Christ is risen. He is truly risen. :-)

Kept Jared and Bernie up way too late last night finishing the casting for Alice and Oz. It took several hours, but I think we did a good job. At this point I've only sent out costuming hints. The only copies of the sheet I have access to at home are the ones on Google docs, and I'm not a hundred percent sure they're the most recent ones, so I didn't want to send out whole sheets without checking them first. Hopefully I will get them out by the end of today.

The parents and I will be going out to a late Easter brunch today. In the time I'm home from that in which I am not sleeping off the massive quantity of fantastically trayf pork products I intend to consume, I will finish checking over those sheets. God, I missed pig.

Happy Easter, my lovelies.
breakinglight11: (painting)

God help me, but now that I've finished the show I found myself looking back over my other original pieces of theater. To Think of Nothing is not the only play I've ever written. There are only two that I ever finished, but I actually kind of like both of them. I've always wanted to expand the universe in which To Think of Nothing takes place. I like to think there's lots of different artists of all kinds whose stories can be explored. But the only other piece I've actually written in the setting is a very brief little play called Fountain Thoughts, about the actress who eventually plays Selene in Cassander's play, confronted by her imperious director when she is afraid to go onstage. It takes place in the basin of a fountain, where the two characters pace and splash, overlooked by a statue of a handsome man. It is very quick, as I said, but I always liked it, and I liked the step it takes into the future of the world when Cassander's play is finally finished. Interestingly, in my first draft the director character was originally supposed to be Palamon, but I decided the director made things more dramatic.

I have written a second one act, somewhat longer, a realistic piece I did for my playwrighting class junior year. I am always slightly hesitant to show it to people because they sometimes read too much into it-- it concerns the reconciling of the different religions in a marriage of a Christian woman and a Jewish man, and I am uncomfortable with the assumption sometimes made that it is meant to reflect my own situation in any way --but I actually think it's kind of good. It is tentatively titled Paschal Moon, as it that time period that covers both Easter and Pesach is important to the story, but I've never quite been happy with that, so I'm trying to figure out what else to call it. There's a lot I like about this piece. I feel like I did a good job of setting up a situation where there's a significant, interesting conflict but nobody's the bad guy. I'm proud of how natural the I got the dialogue to sound, since that is something that tends to be very hard for me. Hilariously, I find I have a much easier time writing believable pseudo-Shakespearean dialogue than believable-sounding modern dialogue. I am amused furthermore to note that my protagonist in this play is named Cassandra, chosen completely without thought for the fact that the hero of my only other play is Cassander. I guess I like that name.  

Great. Now I'm thinking things I shouldn't with all the other stuff I have ahead of me. But the hunger, it is never really sated. :-) Now I'm fantasizing about painting a kiddie pool, covering someone in body paint for them to be the statue, and then sticking a couple of actors in the pool to splash at each other. I think I need an intervention.


breakinglight11: (wraith)
So Mardi Gras has come and gone without me really settling on what to give up for Lent. I think what I may do is challenge myself to keep kosher AND stay away from processed sugar. That way I won't be getting complacent, and I will still be able to make the gesture of respect I actually do find significant to those in my life for whom kashrut is important. It'll most certainly suck more than usual, but hey, my waistline and my pocketbook will thank me for being unable to buy Coke, candy, and cake, in addition to the more personally meaningful sacrifice.

I might go to the Ash Wednesday service on campus. I haven't been to church in so long, I miss it. I had a weird a fairly negative experience last time I went, and I should replace that connection with a better one. Also, for some reason, the Ash Wednesday litany of "You are but dust and to dust you shall return," is oddly powerful for me. I don't know why, but sometimes the bleakest Catholic philosophical tropes are the ones that are most comforting to me. So perhaps I'll go and observe in the traditional way.

As a final note, however, I find [livejournal.com profile] juldea's post on the subject sufficiently hilarious that I must direct you to it. :-D
breakinglight11: (Ponderous Fool)
Whoa. Looking at my calendar, it appears that Mardi Gras has crept up on me and falls this year on... today. I haven't really given any thought as to what I should give up for Lent yet, which means I don't know what I should indulge now before I am without it for the next forty days.

My typical Lenten sacrifice is processed sugar. It's good for my health and for my weight. I think I did that for something like eight years in a row. Last year, however, I elected to keep kosher to see what it was like. I must confess, kashrut is one of the Jewish concepts that means the least to me. It was an interesting experiment, but frankly one that did little to recommend the practice to me. It wasn't so bad, I guess, but I didn't really feel there was anything positive about it that outweighed what it demanded giving up. Pork is a food, not a sin, and a delicious one at that. But still, it's something that means an awful lot to certain very important people in my life. So I guess it's a gesture of respect to them if I decide to do it again, which does matter to me. Processed sugar, but contrast, is a personal sacrifice, but there's no expression of love involved, only the self-denial for Lent.

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breakinglight11

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