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As is typical, I am loaded full-up, partially by my own creative dynamism, partially by my own foolish hubris. At the moment, here is what I am focused on:

- My staged reading of my ten-minute play set in the Mrs. Hawking timeline, Like a Loss, to be held at Bare Bones one week from today.

- Festival of the Larps, at which I am running two games, Brockhurst and the new short funny game Woodplum House. Brockhurst still needs lots of players, so please sign up so it can run!

- Putting on the encore production of Mrs. Hawking, to be performed at the Watch City Steampunk Festival on May 9th. This is my most major project right now. I’ll be auditioning for the roles I need to replace— Mary, Nathaniel, Mrs. Fairmont, Sir Walter, and Colchester —this Monday and Tuesday night.

Hmm, actually a shorter list than I feared, but still plenty of work. Those are the time-sensitive ones. Like a Loss will wrap up by next week. Festival is in April, while Mrs. Hawking debuts in May.

I’m not writing quite as much lately, as I’ve made the decision to focus more energy on pushing the pieces I already have than generating new ones. But there are some things I want to be working on, even among these other things.

- Woodplum House, obviously, as I must run it at Festival and which is only about half-done right now. Probably dumb to assign this to myself now, but I wanted to have something new for Festival.

- Base Instruments, the third Mrs. Hawking story. It’s proving very challenging to design the theatrical mystery, but I want to complete the first trilogy by the end of this year.

- The sequel to Adonis. I know it’s not exactly a priority, given how much else I’ve got to do, but I feel really excited about it.

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