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[personal profile] breakinglight11
Sex scenes are really hard to write.

Not that drama, my usual medium, requires it very often. Even screenplays aren’t supposed to have so much detail about such things, beyond what you need to convey the feel of the scene. So even Adonis, the only major work I’ve written to date of which eroticism is a significant part, shouldn’t need a blow-by-blow, if you’ll pardon that unfortunate pun. As I’ve mentioned, I still feel a bit awkward trying to write sexy stuff, partially out of a lingering prudishness and partially for fear of it not coming off the way I want it to. But it’s important for this story, so I want to get it right. And, despite the mandate to not do the director or cinematographer’s job by writing a novel in the descriptions, the setting of this story makes it tough to convey the feel without some specificity.

So as I've been thinking about writing the sequels, the challenge presented by this story in this regard is complex. The world of it is a matriarchy, with all the attendant socialization that would entail. But our audience is socialized by patriarchy, and view our story with all its baggage. So our characters and our audience have different cultural backgrounds coloring how they perceive things.

We know we cannot overcome our audience’s baggage completely, so we have to present things that will read to them, given the context they bring to it, if we want them to get it. Still, we want to present a world that is believably shaped by the fact that it’s a matriarchy. So we have the huge challenge to present the matriarchal cultural influences and practices that still have the correct implication to viewers with their real-world, patriarchally-influenced outlook.

How does that relate to designing sex scenes? In short, we need to make ours fit the standards of the world but don’t come off as weird rather than sexy to the audience.

For example. While by no means the rule, or present in every case, in general I think it’s fair to say that there’s an assumption in a straight couple that the man takes the active/dominant role. In our matriarchal setting, we flip that assumption so that role is assigned to the woman. But to modern American eyes, there’s a lot about the man being the passive partner— and I don’t even mean penetrated, just passive —that reads as unmasculine, or even gay. And that is not what we’re going for. We’re trying to present that gender expression is not the same as power dynamics, and that would undermine it, implying that there is an equivalence between masculinity and dominance.

Our culture does have imagery we associate with hetero female sexual dominance, but they tend to be of aggressive, BDSM-oriented dominatrices. Since Aidan is a victim of violent rape, we’re leery of making his consensual sexual experiences read in any way as violent. It totally wouldn’t be fair, but it might make people question what was different before to make the non-consensual events so traumatizing. I don’t want to evoke any unfortunate parallels.

So I need to figure out a scene that is female-dominant, not emasculating, not violent, and despite its unconventionality, is still hot to the audience. Jesus, that’s a tall order.

I have some ideas, but as I said, it can be tough to figure out if something’s going to be sexy, especially if it’s something unusual. I haven’t exactly written a ton of these, especially nothing under such particular parameters. And I know it seems I’m being weirdly narrow, but so much of the script is challenging enough without balancing it with something more conventional.

Date: 2015-04-29 06:43 pm (UTC)
jducoeur: (Default)
From: [personal profile] jducoeur
I've totally forgotten whether you are at all tied into the Verse and Vodka group -- did you see their gender-flipped Taming of the Shrew a few months back? It was a fascinating, sometimes startling, exercise in some of these issues.

You might want to find an opportunity to chat with Kathryn, the director: I would bet that it would make for a really interesting conversation. (More generally, if you don't know Kathryn, I should introduce you...)

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