breakinglight11: (Cavalier Fool)
I met with my teacher today to discuss this semester. I'm pretty happy with this plan, and my adviser seems to have good impressions of all my  projects. They are, in the fulfillment of my thesis requirements:

- a new full-length project. This will focus on two famous outlaws featured in The Stand. I've got lots of bits and pieces telling this story, but now I will see what sort of complete narrative I can make out of them.

- a revision of a full-length project. I will be going back over the screenplay of The Tailor of Riddling Way. I love this story, and I did a pretty decent job with this project, but I'm excited to have the chance to make it stronger. It's got some definite problems right now that I want to fix.

- a new ten-minute play. Don't know what this will be yet, but I'm sure I can figure it out. I've been pretty good at generating ten-minute plays lately.

- a seminar to be presented to fellows students at the next residency. My teacher liked the idea of my idea to talk about "writing taking the practicalities of theatrical production into consideration." Stuff like "actors can't change clothes in zero seconds" or "keep track of where the props are" and the sort of things you don't necessarily realize if you've never experienced how theater is put together. 

It'll be a lot of work, but I'm pretty excited about it. I think I can do some good work. 

Tonight is my reading. I'm a little nervous, not sure why. But this is a very cool thing that's happening for my writing, so I need to just enjoy it. Thanks to everybody who comes to support me and make me feel less adrift. 
breakinglight11: (painting)
tailortitlecard

This scene is set within the universe and timeframe of The Tailor of Riddling Way, one that didn't really have a place in the actual script but probably happened behind the scenes. It's Rowan and Emma Loring right after Rowan learns a disturbing truth about their father and his business affairs-- it's a bit spoilery for the full story, just as a warning. It's not all that powerful a scene as it doesn't advance the plot much, nor get into the meat of the revelations, but I do like the idea that Emma and Rowan had different reactions to the revelation, and different instincts about how to handle it.

Day #15 - "No Trust Left" based on The Tailor of Riddling Way )
breakinglight11: (CT photoshoot 1)

So off and on I've been working on back-engineering the script for the Tailor audio drama from the first draft of the Tailor screenplay I wrote for last semester. I think I have finished at least a first draft of the third installment, which I'm calling What She Started. Every installment has been a little bit shorter than the previous one, which I'm a bit concerned about, but maybe it doesn't really matter as long as the break points make sense. There will probably be one more episode after this to conclude the story.

If you read the screenplay, it's very similar but visual things are translated more into dialogue here. Instead of the viewer simply seeing a dusty bookshelf of classical texts in one corner of the bedroom, Tom comments on it here. I confess I am a little dissastisfied that I haven't managed to fix certain things about the story that my teacher pointed out. Like, for example, he thinks I should have Officer Crier appear again before the very end, so this episode would be the one for it. But I still haven't figured out how to make him come back. So this script will likely need editing from the version below. If anyone has any suggestions, please let me know. This is something I will definitely need for the second draft of the screenplay, and I think it would improve the audio drama as well.

Episode 3: What She Started )
breakinglight11: (Femme Fatale)
You may remember that this past April, to console myself upon aging out of the best years of my life, I purchased a dress off of eBay that was designed to resemble the gorgeous green silk charmeuse gown worn by Keira Knightley in the film Atonement. I've had it for some time now, but have yet to have an occasion to wear it. But one thing I've been meaning to do is take pictures of myself in it to post here.

knockoffatonementdress1

The dress is not a perfect fit. It's actually cut for someone less curvy than I, if you can believe that. It's a bit tight in the hips, so it has to ride up to lay right, which makes it rumple in the waist. I like how the bust shaping gives me definition. There's just same old problem I have regarding my boxy, massively oversized ribcage that means the zipper in the back only mostly closes. I think that also means the straps are not pulled as taut as they should be, and are prone to slipping. I may shorten them a bit because of that. Fortunately the back shape camaflauges the slightly gaping top of the zipper. I've always found a bare back very sexy, particularly my own.

knockoffatonementdress3
knockoffatonementdress4

If I remade it, which I'd like to do someday, I may copy the original, but I also would love to make it as the Tailor dress. Cornflower blue, slight cowl neck over a close-fitting beaded bodice with a straight skirt. And of course, sized to my proportions. Or possibly someone else's-- [livejournal.com profile] niobien not only plays Bethany Loring, the wearer of the famous dress, she is the one cast member who I actually think physically resembles what I picture for her character. It sure would be fun to dress her up in such a gown and take her portrait in character.

But even if this dress is not perfect on me, I still like it. It has a long train and is very hot, which makes it not the easiest dress to wear, but it is a fabulous, flattering, striking color and I love the drama of it. And at the very least, it will be good inspiration for future dressmaking efforts. 

knockoffatonementdress2
breakinglight11: (Tired Fool)

Residency underway. Not too bad so far. It's rather the way of this whole process that I alternate about every two hours between a feeling of energization for the craft and of despondency over how hard it is to make it as a playwright. Residency does not at all suit my temperament, as I harp on every time, but I'm trying to take the parts of it that do work for me away for my development. It does feel nice to be in school again, to walk down the street to class with a bite of breakfast in hand. Wish I could start every day that way.

We workshopped the first fifteen or so pages of the screenplay for The Tailor of Riddling Way, and I was pleased to find the response was quite positive, even enthusiastic. My classmates found Tom to be engaging and likable, they were intrigued by the mystery of Emma ordering the dress, and wanted to see what was going to happen-- three markers of a solid script right there. The largest issue it had was that my descriptions of the action were overly detailed and novelistic, which in the screenplay form is considered excessive and slows down the reading. That's the cinematographer's job, not mine. But I want a huge part of the theoretical movie's appeal to be, to use a term my cool teacher this semester latched onto, the dressmaking porn, the lush visuals of the couture garment making process. So my urge is to write all the details of that in. But it would make a reader feel bogged down, so I have to find a way to convey the notions without all that text.

As a side note, some other majors issues of the script, which I hope to revise at some point:
1. Alice needs to seem lonelier at the outset, so that it makes sense that Tom's entrance into her life makes her reach out and want to let him in
2. Officer Crier disappears from the middle of the script, and so must be woven in more consistently, since he's one of the three allies Tom makes by the end
3. The last scene needs to have something at stake in order to create tension. Tom has to have something to "pull out of the fire."

Now that I've had a bit of distance from the script, I'd like to work on this stuff.

breakinglight11: (Joker Phoebe)
Grouchy. I wanted to finish recording Gigi's parts in the first and second episodes of Tailor of Riddling Way last night, but there was an unaccountable buzz being recorded by the headset. This is a new thing and we couldn't figure out where the hell it was coming from. It was very consistent, so Bernie could edit it out mostly, but it was very hard to get it so there wasn't any distortion remaining in the line. We managed to get all her lines for episode one done, which means we could focus on producing that for release in the meantime, but I wanted to get the couple of remaining pieces of episode two as well. Gigi is going home for the summer at least, and though there is a strong chance she will be attending Boston College Law School this coming semester and will be accessible then, at least for the meantime she will not be readily available. I hate when this sort of technical error happens, because I hate anything in my projects happening that is beyond my personal ability to fix. Also, chances are I'll have to spend money on new equipment to deal with this, which I really, really don't want to do, and I'll have to make sure any new equipment records a sound that isn't radically different from the recordings we've already got.

Also, I hurt my ankle a few days ago and it is getting in my way. It feel fine as long as I'm sitting on my ASS being USELESS, but I have too many things to do and I do enough sitting as it is. Unfortunately the more I walk on it, the more painful it becomes, not all that much but just enough to be really, really irritating. I have dance I want to work on, and this is not helping at all.
breakinglight11: (Default)
All right, it's looking like the Tailor film script is about ten times too long to be posted here in LJ, so I am trying a different tack. I am posting the script in its entirety on Blogger and linking to it here.

Also, check out this neat little title graphic I made by turning a sketch of the Atonement dress blue! ;-)

breakinglight11: (Bowing Fool)
I have finally finished the screenplay version of The Tailor of Riddling Way! I handed it in yesterday to my awesome teacher. It's rough, and this is just the first draft of likely many, but I finished it! Given how often screenplays end up partially done bits of debris on a writer's hard drive, this is kind of a big deal.

It will need a lot of fixing. I could feel my brain burning out and not being sure how to edit it. But for now I'm just going to enjoy the feeling of having a complete first draft. When I recover a little I will be back-engineering the second half to finish the audio drama, as I had to adapt the first half from audio drama to screenplay. But if you care to read my little film, my very first complete screenplay, I am posting it on LJ for your pleasure. It will have to be in chunks due to length, so I guess I'll cut it into four pieces like I was planning with the audio drama.

I am really proud of myself for doing it. :-)
breakinglight11: (Ponderous Fool)
In an effort to refocus myself on the projects that are important to me, I thought I'd give a rundown of, if not ALL the projects I have in the works, the ones that currently in the forefront of my mind.


The Tailor of Riddling Way, in two forms. There is of course the original audio drama form, but lately I have been working more on the film version that I am making for my Screenwriting grad school class. The story is translating pretty nicely, even working better in some ways because I can show in a visual medium rather than tell everything, and my teacher has given me both positive feedback and very useful constructive criticism. I haven't been posting my film script pieces here because they're not completely different from the audio drama stuff I've already showed you, but when I finish it I think I will post it here in its entirety. It's kind of cool to think that by the end of the next month I will have finished an entire screenplay, even if only the first draft.

I'm also working on my fantasy novel idea, Fallen. I've had this idea since senior year of high school to tell the story of a demon found and raised by a Catholic organization to fight on their side against the forces of hell while struggling to cope with what seems to be the inherent evil in his nature. I've been working on scenes here and there to submit to my Science Fiction and Fantasy study. What I've done has been posted here if you'd care to read it.

Those are the major ones I need to focus on. But there's some other stuff that I've been thinking about lately too.

I would like the first full-length play I write to be Mrs. Hawking. This piece is set in the Victorian era and about a sort of female Sherlock Holmes whose withdrawal from the world and growing distrust for humanity seems to be getting in the way of her good work until she is forced by her well-meaning nephew to take on a young lady housekeeper, Mary Stone, who turns out to be the companion she's been lacking. I love mysteries, I love that period setting, and I love the dynamic between the embittered middle-aged lady and the young woman whose perseverance through her hard luck begins to draw Mrs. Hawking out of her shell. And perhaps it's naughty of me to cast already, but it helps that I am totally imagining [livejournal.com profile] crearespero as Mrs. Hawking and [livejournal.com profile] nennivian as Mary. <3 There are a couple of scenes from this piece posted here.

There's also my short humorous larp idea, Break a Leg. My fourth (FOURTH!) metatheatrical piece to date, this humorous two-hour larp will have eight players as members of a dysfunctional theater troupe whose leading lady has been found suddenly dead two hours before the curtain is supposed to go up. I have already bid it for SLAW in November and Intercon in March, but I am planning on finishing it way before then. It's small enough that I could probably get several runs in beforehand. It will involve an interactive environment and sides for in-game performance opportunities... which I will have to write. :-)

Those are the majors ones. There's other things I plan on working on eventually, and though they are not currently at my mind's forefront, sometimes I noodle on them as well. Imperium, my Ancient Roman larp. Sundan, my Shakespearean-style epic tragedy about a man who destroys himself and everyone around him when the woman he loves marries another man. And a possible project for the next semester of school that is percolating in the dark recesses of my mind...

But these are the ones you can expect to see more of in the near future.
breakinglight11: (wraith)
As some of you may have noticed, Tuesday was my twenty-fifth birthday. I am officially on the wrong side of twenty-five. I really don't like celebrating birthdays, but to console myself I decided I could get myself a little present. So I wandered around on eBay, my retail poison of choice.

Though I haven't seen the movie, in my opinion probably the most gorgeous dress to come out of film in the last ten years is the one worn by Keira Knightley in Atonement. It is green, bias-cut silk charmeuse with gorgeous details like a hip swag in front, complicated braiding effect in the rear, with an unusual mostly-bare back but with slim straps.


I'm crazy about it. I would say this dress is the primary inspiration for the design of Bethany's gown in Tailor of Riddling Way. Though since I have moved its creation to 1917 or so, it's even less period-appropriate, but I don't care.

Surfing around, I came across a listing for a prom dress that someone had commissioned but didn't want to keep anymore that had been styled after the Atonement dress. It was not very expensive and it was in my size, so what the hell, I decided to go for it. Here is what it looked like on the listing.

As you can see, far from a perfect copy. The color's not quite that vivid poison green (though that could be the camera) and that awesome strange randomly intertwining fabric effect on the rear is simplified to what appears to be rouching. Still, it captures a lot of what I like about the dress and even fixes the one thing I don't-- the bodice is kind of whatever on the original. I don't know why they went with laser cutting instead of beading on it, and emphasizes the boniness of Keira Knightley's chest. I have more going on up top anyway, so the more structured bodice of the version I bought will look better on me.

Probably someday, once my sewing skills are adequate to the task, I will make my own version of the dress. Charmeuse is a difficult, slippery material to sew with. But I bought the pattern that Gertie recommended as a good base for emulating it, Vintage Vogue 2859, just to have it for when that time comes.

Though it occurs to me that when I get to that point, what I may really want to do would be to make the Bethany dress, something similar except in cornflower blue with a nicer bodice. ;-) That would be a lot of fun.

Anyway, the dress I bought is scheduled to be mailed on Friday, so I expect it will arrive in the middle of next week. If so, it might be an option for my costume for Jesriah at Festival. It's ostensibly from the period I was told to emulate with my look. :-)
breakinglight11: (Exiting Fool)
I was a productive little worker Bee over the last few days. I set several goals for myself to accomplish this weekend and I believe I managed every one of them. What I have done includes:

- Finishing my first assignment for screenwriting
- Writing an additional scene for Tailor
- Incorporating ten thousand steps of walking into my routine
- Making headway into my sewing text
- Starting the first Hipster Feminist plot line
- Cleaning my room

I have also consumed several gallons of apple cider in an effort to stave off my chronic dehydration, but that's probably not an accomplishment so much.

Still that leaves a number of things. First and foremost, I need to do my first assignment for science fiction and fantasy. Unfortunately I put this off a lot in favor of the screenwriting assignment, so I don't have a ton of time left for this. I'll chunk this out better for the second round of assignments.

I also really have to edit that additional scene for Tailor. In my desire to just get it done, I broke with my usual pattern of tweaking as I go and instead just banged out the scene from start to finish. Jared and Kindness were the first to read it, and they both gave the extremely spot-on criticism that there isn't enough conflict in the scene. There needs to be more of a struggle for the information to come out, as it is information Kenneth would want to conceal. Plus, conflict raises tension, always necessary for drama. Kenneth is the character Jared is playing, and in the course of developing his performance he tends to internalize a very well-defined idea of who his character is, and Kenneth just spilling his guts wasn't in the conception he'd gotten of the man. Kindness is a man of excellent artistic taste, who I thank for being Palamon-like enough to give it to me straight, both on the positives and the negatives of what he sees in my pieces. I was lucky they were my first responders to the scene, because now I know what I have to do to fix it.

Now that I've taken the plunge and begun the first-ever tweet chain plot for Hipster Feminist, I need to be on top of where the action's going. I am now two tweets in, so there's no going back. ;-) I haven't done as much working out of the storyline or the tweets illustrating thereof as I would have liked, so I have to get on it. They tend to come out funnier when I come up with them in advance and I can tweak them into optimum shape.
breakinglight11: (Default)

This is a scene for Tailor that I've had in my head for a while now, of Tom confronting Kenneth about his part in the mystery and learning who the poor old drunk really is. It's in very rough form right now, as I just wrote it last night and haven't edited it at all, but I'm glad I banged it out.

As I mentioned, the other night I recorded Plesser and Jared in their respective roles of Tom and Kenneth. They were so great I wanted to work on more of their interaction, so this long-awaited scene came into being. I am working on setting up a strong parallelism in the story between Alice and Bethany, and I want to echo it to a slightly lesser extent with Tom and Kenneth, that the older, broken man sees some of who he used to be in the intrepid younger man. I'm also glad to get a little more dialogue for Emma and Bethany in by way of the flashback. I loved the slightly sad, carefully controlled, weight-of-the-world tone [livejournal.com profile] rigel used when playing Emma, so I think knowing about the style she was going to use informed how I wrote her here. Also, I am just excited to have more acting opportunity for Carolyn, who is shaping up so nicely and putting such amazing sincerity and passion into the part.

What IS Kenneth's connection to the Lorings? )
breakinglight11: (Stiff Fool)
For the second round of Festival I got into Folding the River. I was torn very much between it and High Rollers, but I'd already told the GMs I would be signing up, so I decided to let that decide for me. Neither Paranoia or The Stand have filled yet, but neither are in the time slots that people tend to prioritize, so I am hoping that once signups go open on Monday night we will get our full complements. Paranoia was in theory supposed to be modular, so it might be able to work if we have to excise parts, but frankly I think that fell by the wayside enough that we'd have to do a lot of fixing to make it work. The Stand is not really able to work without pretty much the entire cast-- I could maybe cut out two roles, max, without having to do major surgery --so I really really want it to fill.

In other news, I have finished my first screenwriting assignment and have decided to declare my afternoon and evening free. I am now making a list of things I'd like to do with that open time. I would like to take a walk into town, maybe run an errand or two, maybe just walk. It occurred to me recently that even if I get back to going to the gym as often as I did in undergrad, back then I was also walking across campus three or four times a day in addition, which I am definitely not getting now. So I am determined not only to make time for workouts, but also just get off my lazy ass and walk during the day. It means a significantly greater time commitment, unfortunately, but I think if I schedule correctly I can make it work. It would be worth it to shape up a little. 

I want to finish another scene for Tailor that I've started but not yet made much progress on. It's the confrontation between Tom and Kenneth where we finally learn why Kenneth's been hanging around with so much interest in the Lorings. We recorded a scene between Plesser and Jared this week, which has inspired me. I would also like to have it for the Artist Meetup [livejournal.com profile] morethings5 and I have planned this weekend, where we use each other as accountability partners to keep us working on our artistic projects. Maybe I'll noodle a little on my short-quick-easy larp idea, since I'm feeling particularly engaged in larp production right now.

Finally, it'd be nice to make a little more progress with my new beginner sewing text, Sew Everything Workshop. I've gotten a little ways in and so far it's exactly what I was looking for. It starts with the basics and explains them very clearly. So far I haven't learned anything I didn't already know, but I like things that emphasize the foundation and confirm that I understand correctly before moving on to what I don't already grasp. I'm anxious to get to the part where it actually walks you through a sewing project, which is what I think I really need.

Oh, and one last thing. I recently decided that the first "plot line" I'd like to feature on Hipster Feminist is a story about Rhoda stalking an ex-boyfriend. Not sure how that's going to work yet, but I think it has the potential to be very funny. Maybe I'll do a little work figuring out the storyline and seeing how I can chunk it out into individually funny, one hundred and forty-character pieces.
breakinglight11: (Easy Fool)
Last night I had the honor of having [livejournal.com profile] morethings5 over to record his part for Tailor of Riddling Way. Kindness is one of those actors that I will go out of my way to work with. Having cast him in Hamlet, To Think of Nothing, and now Tailor, I have included Kindness in more of my dramatic projects than any actor excepting only Jared and Steph. I like his style, and I like the way we click as actor and director. He's very receptive to ideas, but also inventive and able to extrapolate; when he is so inspired he springs off of what you told him in a way that makes the character more real to him, and thus gets a better portrayal from him. He has a way of GETTING characters, of absorbing all their complexities and blending them into a cohesive whole that takes them all in account and balances them. While most actors that I've worked with tend to shoot for a particular performance, he is more experimental, trying this and that to see what effect it has and how he feels about it before settling on his ultimate approach.

I wanted him for the part of Rowan Loring for two major reasons. First, the sound of his voice; he has a cultured, even-toned voice that I thought would convey a man of manners, breeding, and integrity. Secondly, it was different than anything I'd cast him before, which as you all know I love to do sometimes. His previous roles with me were Rosencrantz and Palamon, the first one played totally for laughs and the second one a humorous voice of satire. I liked the idea of having him play someone who made his point straightforwardly, but still felt bound by his personal code; Palamon, by contrast, is a truth speaker who uses jokes and irony to express himself, and does not feel obligated by convention. Rowan is my Honorable Man in this story whose only fault was that he stuck so closely to his code that had to place the needs of those he loved in the secondary position.

Jonathan did a fantastic job last night; I was incredibly pleased with the performance he gave. I found it interesting that he would mark his script to give himself cues as he read, delineating beats, transitions, and extremes. I'm always interested in process-of-the-artist stuff, so I thought that was cool. Also, best of all, he is an unusually good self-editor. He would record the piece, listen to it, and hear the places where he wasn't satisfied or where he wasn't feeling like he was giving me what I wanted. He would then use his observations  to improve himself on the second pass through. I've rarely worked with actors with that capability to critique their own performance. And of course, he is wonderful to work with, which makes me enjoy having him in my projects even more.


This is him at my fancy party, but he's kind of Rowanish here, I think. :-)
breakinglight11: (Mad Fool)
As you can perhaps tell by the fact that this is my third post of the day, I am feeling ruminative and mentally unsettled. I certainly have a lot on my plate, most of which I put there myself, but I am trying to determine what I should be focusing on that will soothe a certain creative restlessness I'm feeling. I am not sure if I need more things to do to serve as light alternatives to my big, work-intensive priorities, or if I need to not take anything else on so I can balance my project load with relaxation.

Schoolwork is the big priority; my first due date is February 13th, about two and a half weeks from now, so I'd better get cracking. I think this Sunday, which is mostly free, will be devoted to homework. I usually need big chunks of time to really dig into writing. Then there's also The Tailor of Riddling Way. I am proud of myself that I've finished writing the first two episodes, and even gotten one scene recorded. But I think it's going to need two more episodes at least, so at best I'm only halfway through, and there's a ton more recording to do. I am feeling good about and getting satisfaction out of this project, but it's requiring a lot of mental energy. I kind of wish I was working on something easy that gave me the same feeling.

What with all the talk of larps, naturally my thoughts turn to my own larp writing. One of the reasons I got so absorbed in larp writing was that it has a built-in audience and is easy to find a venue to get that "feedback from the public" to give me the validation I crave. So right now, the idea of working on my Ancient Roman larp idea Imperium has become very attractive. But I do not want to let larp writing get in the way of the other writing that I should be prioritizing right now. And of couse this excitement never takes into account the fact that larps too always eventually hit the point where writing it is a slog. It's just something different, something that hasn't become tough yet, that I can imagine the fun of running to player adulation.

I wish I had an idea for a short, sweet, easy larp that I could write without a lot of time or effort that would still turn out well. Sadly, as many times as this has occurred to me, I've never been able to think of anything that I could pull off in that way. If anyone has any suggestions, I'd be open to hearing them. It would be nice to have such a larp that I can run, easy for me and fun for the players.

I think one of the reasons for my restlessness is that I miss acting. I've done a lot of writing and directing recently, two of my major passions, but it's been forever since I've acted in anything, and I'm feeling the deficit. It was looking like I might have been able to go out for a part in Lenny's indepedent study show, Cymbeline, which I was excited about. But it turns out that it goes up the same weekend as Festival of the Larps, one of the most important weekends of my year, so participating is out of the question. For some reason, Titus is also the same weekend as Intercon, making both larp cons happening over shows. I am very disappointed about Lenny's show. I have another audition lined up for this Sunday night, but I'm not optimistic that it will work out any different than the last twenty-odd times before it.
breakinglight11: (Easy Fool)

Last night we finished recording the last voice in the scene we began with [livejournal.com profile] rigeland [livejournal.com profile] thefarowl last Saturday. Bernie and I snagged [livejournal.com profile] niobien after the design meeting for Titus. We cleaned up the recording of the other two voices so that Carolyn would have something to respond to, and I'm very pleased with the results. We played the other two voice tracks and let Carolyn speak in the pauses we specifically left to accomodate her lines. Directing for voice recording is a different experience than directing for the stage, and the best ways of doing so are emerging to me slowly through practice. I'm really happy to have cast Carolyn, by the way. She has exactly the right sound for the character of Bethany Loring, and I loved working with her so much in Merely Players that I wanted to give her a speaking role and see how she did. Her enthusiasm and effort really comes through in her performance. The scene obviously hasn't really been edited yet, but technically we have a completely recorded piece. It's our first, the first of many we will need to do. :-) 

This is probably the last scene in Episode 2, immediately following the large chunk that I posted yesterday. This scene went in a slightly different direction from how I expected it to. I wanted this part to place the issue of the class conflict overtly on the table. Della, who is a friend of Tom's and from a similar working-class background, forces him to think about how he may have to confront the realities of dealing with people of significantly higher social standing. I also included a hint that Tom's developing feelings for Alice. I was debating whether or not to include that in the story at all-- except maybe a suggestion that was where things were going at the very end, once everything is resolved --but I realized that can be a way of underscoring the class issue, of giving something for the two of them to deal with. Upping the conflict, I have learned from my grad program, is always an important part of designing a compelling story.

I am also looking forward to having [livejournal.com profile] inwaterwritin the role of Della. She was one of the few that couldn't make the read through, so I haven't had a chance to hear her yet, and I am very excited for when I finally do. I think she will do a great job bringing the sensibility, loyalty, and down-to-earth humanity that I want for the part. I also enjoy writing parts and dialogue with the actor in mind, so I've had her voice in my head as I put this scene together.

Can't wait to actually hear these lines in Jenn's voice... )
breakinglight11: (Default)

I thought I would post what I have of Episode 2 of The Tailor of Riddling Way. This includes a couple of sections already posted, now just in context. All of Episode 1 is present in pieces by scene, but with some effort and focus I managed to get the majority of the second part written in time for the read through. Here it is now in case you would like to read it. There will likely be at least one more scene to it, which I am currently working on and will post when I finish.

Episode 2: House Full of Secrets begins... )

breakinglight11: (Cordelia)
Gah, what an intense week. Started my school assignments, had a ton of stuff to do at work, and launched my audio drama project. I have been writing or otherwise working almost constantly since Monday, and the last few days have been especially busy. My brain feels like it's overloaded the circuit and blown a fuse. But it's not done yet. Today I have to drive to the Berkshires for a two-day company retreat for work. I'm not a huge fan of driving and I don't ski, so I'm not terribly excited, but it won't be so bad. I'm packing up now, and am just thankful that the snow quit before today.

Friday we had the read through of the first two episodes of The Tailor of Riddling Way. Most of the cast was able to attend, and we had a nice dinner together before going through the script. I am actually pretty pleased with what I put together. Hearing the whole thing read showed me the weak spots, too, the places that require tweaking and change.

Bernie and I also made our first shot at recording on Saturday. I hadn't originally planned on jumping in immediately, without time to do any planning, but Caitlin is going away to her acting program in Connecticut for the semester. I really, really wanted to use her because she's so talented, so we had to fit her in before she left. She was incredibly patient with our experimenting; our whole team was, in fact. Niel Marsh, the gentleman who plays Porek in Second Shift and the man in charge of audio for Mask of Inanna, kindly dropped by to give us some advice on how to proceed. I was especially glad to have Bernie helping. His technical background allowed him to understand what Niel was talking about, which was incredibly helpful. I don't know how I'd be managing this without him. Niel also brought [livejournal.com profile] rigel with him, so she could act off of Caitlin in a scene they had together. I've never gotten the chance to work with Rigel before, and I was very pleased. I think she suits the character very well, and understands the personality really well. [livejournal.com profile] aurora_knight rounded out our little team, filling in for the one actor we didn't have present. Everyone was so great, and not only did we learn a lot from the session, I think we got some good material recorded as well. I'm happy to say I think our little experiment is off to a good start.
breakinglight11: (Cool Fool)

The last scene I had to complete for episode one. This one took a long time to write, to gauge the content and forward thrust. I imagine it will need some editing, but I am glad to have it done at least in first draft for now.

That makes seven scenes in episode one... )
breakinglight11: (Mad Fool)

So it's looking like I am definitely going to need to split Tailor into multiple episodes. The story has become so large and so complex that I think breaking it down into chunks of about thirty minutes or so is the only way to present it in manageably coherent form. To that end, I think I have finished the script for the first episode, which I shall title "The Gown." It has come out fairly well, I think, and is currently under review by myself and a trusted editor or two. I feel good about it, especially since now I have a solid piece to go through at our read through a week from today. I would like to go even further, though, if for no other reason than a couple of my actors that will be in attendance next Friday only have a couple of lines in the first episode despite a larger presence in later parts of the story. I'd like them to have a little bit more to read than that.

On the note of actors, I have finally cast the piece as well. As I said, this was a surprisingly difficult process given that as my personal, unaffiliated project I could cast it however I wanted. A lot of these roles could easily be switched because of the talent of my actors, but I think this is a pretty solid cast. I'm pleased with it at least.

And so, the cast of The Tailor of Riddling Way:

TOM BARROWS, a local tailor and dressmaker - Jonathan Plesser
ALICE LORING, young heiress to the wealthy Loring estate - Gigi Geller
EMMA LORING, aunt to Alice, once involved in the family business, now a spinster withdrawn from society - Sami Genstein
CONSTANCE DANBURY, aunt to Alice, in her youth a student at university until a spate of ill health, now chronically indisposed - Steph Karol
EDMUND DANBURY, gentleman of old and powerful background, married to Constance, current proprietor of Loring Textiles - Casey Roberts
ROWAN LORING, father to Alice, popular gentleman about town, now local hero after dying in action in WWI - Jonathan Kindness
BETHANY LORING, aunt to Alice, beloved baby of the family until her still-unsolved death at her debutante ball - Carolyn Daitch
REGINALD LORING, Loring family patriarch, father to Rowan, Emma, Constance, and Bethany, captain of industry and prominent citizen - Dave Benger
SUSAN WARREN - longtime housekeeper at Loring's End, deeply devoted to the family - Charlotte Oswald
ABIGAIL BARROWS - mother to Tom, accomplished dressmaker and embroiderer who passed on her knowledge to her son - Caitlin Partridge
JOHN CRIER - young policeman investigating the murder at Loring's End - Andrew Prentice
KENNETH GARNER - local ne'er-do-well, known around town as a drunk - Jared Hite
DELLA CARRUTHERS - proprietor of a popular local working-class pub, friend to Tom - Jenn Giorno

At least, that's the characters I know already exist. I may add more as the script is written out. At the moment, I actually have one more part that I hadn't originally planned on including and now need an actor for. The role is male, and though I know a number of talented male actors I could ask, the one complication is that the actor must be able to put on a slight-- slight, mind you, NOT strong --German accent. I'll have to ask around about that. If anyone knows anyone, let me know, and of course if you fit that description feel free to volunteer.

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