breakinglight11: (CT photoshoot 1)
New blog post on Mrshawking.com!

image

"Meet Gabrielle Geller, voice of Mary Stone in Bare Bones!"

I recorded a video interview with Gabrielle talking about the character she plays in the upcoming staged reading of Vivat Regina with Bare Bones.

See the video here!

And join us for the reading at 8PM on Thursday, October 2nd at Unity Somerville at 6 William St, Somerville, MA. Admission is free and donations go to support Theatre@First.
breakinglight11: (CT photoshoot 1)
I am pleased to announce that we have a cast for the staged reading of Vivat Regina at Bare Bones with Theatre@First!


image



As I mentioned, the three talented people playing Mrs. Hawking, Mary, and Nathaniel in last year's Bare Bones reading of the original play were kind enough to agree to return. I am delighted to have Elizabeth Hunter, Gabrielle Geller, and Ryan Kacani reading again. But that meant I still had three other people to choose!

This audition process was even tougher than it was last year; I was very fortunate to have a nice selection of talented people, but sadly that meant there were more people I enjoyed than I could possibly use. It's always sad when you don't have enough space for someone who gives a good reading and whom you'd be happy to work. I feel very grateful so many people were willing to share their talent with me to put on this piece. Thank you so much to everyone who auditioned; I really wished I had more roles.

The cast I finally settled on is a follows:

Mrs. Victoria Hawking - Elizabeth Hunter
Miss Mary Stone - Gabrielle Geller
Mr. Nathaniel Hawking - Ryan Kacani
Mrs. Johanna Braun / Frau Kirsten Gerhard / Narrator #3 - Joye Thaller
Mrs. Clara Hawking / Narrator #2 - Samantha LeVangie
Mr. Arthur Swann / Narrator #1 - Matthew Kamm

I am very excited to work with every one of them.

I hope you'll all come out to see this very talented cast read Vivat Regina on Thursday, October 2nd at 8PM at Unity Somerville at 6 William Street, Somerville, MA.
breakinglight11: (CT photoshoot 1)
A while back, [livejournal.com profile] polaris_xx introduced me to Cabin Pressure, a hilarious BBC audio series about a tiny charter airline firm. It's incredibly witty and well-written and I enjoy it a lot. A little while ago I had an idea for a fan fiction written in audio drama style, which I have noodled on but not made much progress. Today's entry is for that, introducing the terrible wealthy couple which the team would be flying to a family party in San Tropez.

Whenever I attempt a fan fiction, I want to emulate the style of the property I'm writing for. I am not nearly as funny and witty as Cabin Pressure writer John Finnemore, but I gave a decent attempt. See for yourself if I managed to make you laugh, or sound like the style of the original.

This is dedicated to Gigi for introducing me to it!

Day #5 - "Meet Trudy and Cliff" )
breakinglight11: (CT photoshoot 1)
ghostshow poster

This is your official invitation to GHOSTSHOW, the third production brought to you by the Watch City Players. We've been working on this for a while now, but we were held up when we struggled to find performance space. But now we are settled on the most lovely and accommodating Democracy Center in Cambridge! And we are assembling a lovely collection of short pieces around the theme of ghosts. Some are very funny, some are dramatic, and some are just plain interesting! So, I present to you,

GHOSTSHOW

an evening of short plays concerning ghosts.

Featuring Gabrielle Geller, Frances Kimpel, Charlotte Oswald, Eboracum Richter-Dahl, Phoebe Roberts, and Lenny Somervell

The pieces, comedic:

- Unimportant Conversations with Ghosts, Part I, by Lenny Somervell

Starring Frances as Alexander Hamilton and Eboracum as Aaron Burr, after their famous fateful duel to the death

- The Late Mrs. Chadwick, by Phoebe Roberts

Starring Lenny as Arthur Chadwick, Frances as Edwin Shrewsbury, and Charlotte as Matilda Chadwick, when a vengeful spirit descends upon a stuffy, very proper British household

- Behind the Sky, by Eboracum Richter Dahl

A movement piece performed by Charlotte, Lenny, Frances, and Phoebe as fairy beings in the land of the dead

The pieces, tragic:

- Hamlet, scene I.I, by William Shakespeare

Starring Eboracum as Horatio and Gabrielle and Phoebe as soldiers, when the king's ghost first walks the night

- The Ghost of Wittenberg, by Frances Kimpel

Starring Eboracum as Horatio, and Gabrielle and Phoebe as young students who may remind you of two other famous friends

- Richard iii, selection, by William Shakespeare

Starring the whole cast, haunting the usurper in dreams

And
- Caesar's Ghost, by Lenny Somervell and Phoebe Roberts

To be held March 8th at 8PM at the Democracy Center at 45 Mt Auburn Street, Cambridge, MA

Admission is free, donations gladly accepted

I hope you will come and join us! We have a Facebook event set up here, if you'd be so kind as to RSVP. It will be short, fun, and hopefully a nice night. :-)
breakinglight11: (CT photoshoot 1)
And here is the second half of the Mrs. Hawking photo shoot. These images are the ones meant to suggest the scenes in the play where Mrs. Hawking and Mary go to Cedric Brockton's ball. And that meant dressing them up fancy!

Mrs. Hawking, version 1
Photography by Stephanie Karol
Hair and makeup by Gabrielle Geller
Directed and costumed designed by Phoebe Roberts

with Frances Kimpel as Mrs. Hawking
and Charlotte Oswald as Mary Stone

mrshtest9

Mary in awe of all the fancy people and the splendid surroundings. She is unaccustomed to doing anything so grand.

More pictures beneath the cut... )
breakinglight11: (Cavalier Fool)

I have to finish the second draft of my seminar paper for the class I have to teach as part of my graduating requirements. It's slow, but it's coming. I should finish (need to finish, really) by the end of the night. But I realized it's been weeks and I never put up the pictures from the Mrs. Hawking themed photo shoot I did with some lovely compatriots. I am hereby posting some of my favorites, with a few notes on my thinking behind them.

Mrs. Hawking, version 1
Photography by Stephanie Karol
Hair and makeup by Gabrielle Geller
Directed and costumed designed by Phoebe Roberts

with Frances Kimpel as Mrs. Hawking
and Charlotte Oswald as Mary Stone


mrshtest3

This image is in replication of those "family portraits" that were often the standard of photography back in the Victorian period. The mistress of the house, and her beloved maidservant.

Frances, while much younger than Mrs. Hawking is supposed to be, was my visual inspiration for the character. A small person, deceptively pretty with her wavy golden hair and capable of being disguised as something non-threatening, delicate, and socially expected. But, like Frances, she is fierce, agile, and much more physically powerful than you might immediately guess. The dress does a pretty good job of hiding just how ripped she, and the character, are.

Charlotte not only has the right look, she is around the right age. She is tall and strong, and I liked the idea of Mary having her statuesque Amazonian figure, her pretty face, her long dark hair, her freckles. I thought a girl of the lower classes who had to make her own way in the world should be physically capable, and I like the contrast between her kind of presence and Mrs. Hawking's. Also, a tall girl gets noticed, can't be ignored, for well or for ill. She has both the power, and the responsibility, to answer for herself.

More pictures beneath the cut. )

breakinglight11: (CT photoshoot 1)


Rehearsals have been going along nicely for the reading of my play Mrs. Hawking with Bare Bones, the staged reading series sponsored by Theatre@First. I was lucky enough to have a wonderful cast come out to be involved, and they're doing a great job of helping me figure out the best way to present the material. The script, thanks to them, is in better shape than ever now. I know many of you have already come to the first reading, but those of you who are still interested and those who have not yet had the pleasure of hearing it, I would love it if you could join us for the reading. The details are as follows:

MRS. HAWKING
A staged reading of an original play
Written and directed by Phoebe Roberts
Newly edited for presentations

One night only!
April 11th at 8PM
Unity Church, 6 William Street, Somerville, MA

Admission is free!
$5 donation to Bare Bones suggested

STARRING
Elizabeth Hunter as Mrs. Victoria Hawking
Gabrielle Geller as Miss Mary Stone
Ryan Kacani as Mr. Nathaniel Hawking
Brad Smith as Lord Cedric Brockton
Stephanie Karol as Mrs. Celeste Fairmont and Miss Grace Monroe
Nick Martucci as Lord Walter Grainger and Mr. John Colchester

You can find the Facebook event here if you'd care to RSVP. Thanks so much for your support!

breakinglight11: (Bowing Fool)
This morning I cleaned the house from top to bottom, flitting between the work and scribbling thoughts in my notebook for the one-shot tabletop game I'm running this weekend. I'm always surprised at how much this sort of life suits me. If only I didn't have to worry about that whole distasteful money issue. Anyone in the market for a housewife? I'm very on top of the chores, I'm an excellent cook, I can keep to a budget, and I won't let my figure go. Just keep me in ballet classes and larp costuming and you'll never go off to work without a thoughtfully packed lunch ever again.

The game I'm running is for Carolyn, Ryan, Sam, Aaron, and Gigi, most of whom are new to gaming and would like to get a taste of what theatrical roleplaying is like before they play in a real larp. The game is set in Fairfield, in the universe of the Tailor of Riddling Way, and explore many of the same important themes-- family history, class differences, terrible secrets. I'm writing pregen characters and setting it right after the conclusion of the Tailor story. I am evening including some of the original characters. So far I'm feeling pretty good about what I have, and I think it's going to turn out to be a good game. It's meant to be roleplay-heavy and completely mechanics free as an exercise in acting and storytelling. If it goes well, I'd be happy to run it again for anyone who cares to play.
breakinglight11: (Cavalier Fool)


Auditions went well on Monday night for my reading of Mrs. Hawking, and I am pleased to announce I have a lovely cast!

Elizabeth Hunter as Mrs. Victoria Hawking
Gabrielle Geller as Miss Mary Stone
Ryan Kacani as Mr. Nathaniel Hawking
Brad Smith as Lord Cedric Brockton and Narrator 3
Stephanie Karol as Mrs. Celeste Fairmont, Miss Grace Monroe, and Narrator 2
Nick Martucci as Lord Walter Grainger, Mr. John Colchester, and Narrator 1

I was fortunate to have a number of talented people, and it was pretty much a battle between two choices in literally every role. But I am happy with this cast and I think they will not only do a good job representing my piece, but also that they will work well together.

Now I need to get down to brass tacks. The script is mostly prepared, but still needs a last go-over before I send it to the actors in case they want to look at it ahead of time. We have rehearsal dates and location (thanks to the wonderfully generous Ms. Hunter) but I need to block out what sections of the script we're going to work on when. This project is important to me, so I'm excited to get going on it.

The reading will happen on April 11th at 8PM at Unity Church at 8 William Street in Somerville, so I hope I will see you there!

breakinglight11: (CT photoshoot 1)
So I've decided I'm just going to post the draft of Lame Swans I handed in for school. As I mentioned, the images are not edited a carefully as I would like them to be, but I won't have time to work them over any time soon, and I'd like to share this mostly-completed work with you. The models who did so much for me deserve to see the results of their Labors. I'll post one scene of the book a week or so.

Lame Swans
by Phoebe Roberts

Cover

Scene 1 - "The Lake" )
breakinglight11: (Puck 5)
rooftopsatnight

This piece is about superheroes, including Wondra from piece number five. I think this one came out pretty cute and funny, more fully realized than its predecessor. Here Wondra confronts a fellow superhero, Bantam, on a rooftop while on patrol because he took care of a crime in the area of the city she's supposed to protect. Perhaps I should delve more into writing humorous commentary on what it's like to live the life of a superhero, as this piece is rather successful.

I give full credit for the joke about Bantam's name to [livejournal.com profile] polaris_xx, who said it to me on Twitter.

Day #14 - "Work-Life Balance" )
breakinglight11: (Joker Phoebe)
Grouchy. I wanted to finish recording Gigi's parts in the first and second episodes of Tailor of Riddling Way last night, but there was an unaccountable buzz being recorded by the headset. This is a new thing and we couldn't figure out where the hell it was coming from. It was very consistent, so Bernie could edit it out mostly, but it was very hard to get it so there wasn't any distortion remaining in the line. We managed to get all her lines for episode one done, which means we could focus on producing that for release in the meantime, but I wanted to get the couple of remaining pieces of episode two as well. Gigi is going home for the summer at least, and though there is a strong chance she will be attending Boston College Law School this coming semester and will be accessible then, at least for the meantime she will not be readily available. I hate when this sort of technical error happens, because I hate anything in my projects happening that is beyond my personal ability to fix. Also, chances are I'll have to spend money on new equipment to deal with this, which I really, really don't want to do, and I'll have to make sure any new equipment records a sound that isn't radically different from the recordings we've already got.

Also, I hurt my ankle a few days ago and it is getting in my way. It feel fine as long as I'm sitting on my ASS being USELESS, but I have too many things to do and I do enough sitting as it is. Unfortunately the more I walk on it, the more painful it becomes, not all that much but just enough to be really, really irritating. I have dance I want to work on, and this is not helping at all.
breakinglight11: (painting)
So as you may remember, I did a photoshoot involving [livejournal.com profile] polaris_xx as my lovely model and [livejournal.com profile] in_water_writ as brilliant costumer and stylist. Though I don't currently have access to the software I want to really edit these photos, it's about time I posted them in at least rough form so you could take a look at them.

Gigi is playing Esmeralda, a society lady with a secret. Can you see what it is?

Pictures behind the cut )
breakinglight11: (Unsteady Fool)
God knows the very thing I need is more projects, but I like keeping busy and making neat things, especially when lovely friends and collaborators are involved in the process. Yesterday I had the chance to do just that with [livejournal.com profile] polaris_xx and the invaluable help of [livejournal.com profile] inwaterwrit, and I'm really pleased with how it went.

Both Jenn and I have had the very honor to be the subject of a photo shoot by the lovely and talented [livejournal.com profile] hazliya, who sets up gorgeous scenarios with settings and costuming, gives wonderful direction on how to model the idea behind the shoot, and has an eye for just the right shots. It was so much fun, and I really admire the works that Haz makes. Though I don't have a fraction of her knowledge and experience, I found myself wanting to try my hand at something along those lines.

I liked the idea of coming up with a little character and plot and setting up a photo shoot to depict that story visually. My first idea I particularly wanted to be the sort where you look at the picture is ostensibly about one thing, but if you examine it more closely to can figure out what's really going on. I will not tell you what my theory was here, because I'd prefer to see who gleans it from looking at the finished series of photos.

For this first time the person I wanted to work with was [livejournal.com profile] polaris_xx, who is a talented, expressive actress, lovely to look upon, and always wonderful to work with. I thought she would be perfect for this character, a fancy society lady named Esmeralda. But of course she needed to be costumed for the part, so naturally I turned to the expert in the matter, everyone's favorite Costume Fairy Jenn. She provided two lovely evening gowns, one a clingy dark blue with sparkles all over it, the other a sleek one-shoulder burgundy with a sweeping skirt. They were absolutely the right look, and Gigi looked fabulous in them! Jenn has such a good eye, and not only for that. As we set up the space, wrangling my house into an appropriate setting for the little drama-in-pictures we wanted to tell, Jenn had a wealth of ideas for shots, for tweaks to optimize the image we were trying to portray, and notes for Gigi's acting. And Gigi was as awesome as ever. She has so much talent and her incredibly expressive face is just perfect for getting things across in a visual medium. Also, she is willing to try anything and just throw herself in to the best of her ability. That might be my favorite thing to work with in a collaborator of any kind, a willingness to throw out ideas and try and experiment and see what works. I'm so grateful to both of them for taking the time to lend their talent and efforts.

It took hours, and we wrecked the place with all our props, costumes, and tools, but I learned a lot about what to expect from running a photography shoot. I think I will be a lot more prepared and streamlined in the future. Here's a teaser for you all, a very roughly edited shot from the shoot that I think captures a particularly get moment from Gigi. The rest I'll post once I've had a chance to go through them all, and put them through a real editing program.

breakinglight11: (Bowing Fool)

Merely Players came to its triumphant conclusion this weekend, and I am incredibly pleased. We filled our little house both nights, and most gratifyingly of all, they laughed! They followed the show and got the humor! Thanks so much to all you lovely people who came out to see it. Your support means a great deal to me.

Plus we got to test the unusual performance format. More than just our show doing well, I am pleased by the proof of concept. People will come to a show with a cabaret-style setup and buy the snacks and have a good time. That is a doable endeavor that will succeed. Hold Thy Peace could use this format for side projects in the future.

Schwartz is a shit theater space, let me tell you. It's more meant to be a lecture hall than a performance venue, so opportunities for tech are minimal-- a presention sound system and a couple of light switches you can flip on and off are pretty much the extent of it. But we chose it because it fit the aesthetic of our show. I didn't want the polished atmosphere of trying to immerse you in the illusion of another world that so much theater aims for. Instead we wanted, as I like to say, all the nuts and bolts of theater on display. Instead of hiding the trappings of a production, we used them as our set dressing-- you could see our cruddy worklights on the side aisles, the props tables and costume rack set out in plain view. And on top of that, the actors were almost never out of sight, always in character off to the sides even when they weren't on the stage. It drove the point of the metatheater home nicely, and created an immersion of another sort, one where the audience almost feels like it's on the inside of the production rather than just being witness to the final product of it.

It wouldn't have happened without our fabulous staff. Sari, Sam, and Elena came in to wrangle the lousy space and equipment into submission, making our technical functions work in spite of everything. The hardworking waitstaff made up of Plesser, Caitlin, Charlotte, Tziporah, and Simon I thank most graciously for lending their time and effort to pulling off this whole "cabaret with concessions" scheme. Rachel is consistently one of the only designers I feel like I can simply hand off the job to, because I always trust her to do good work. And of course there's Bernie, for whom none of my theatrical endeavors would ever get off the ground. He supports me tirelessly with his work and expertise, and I can't express how amazing I find it that he can take the entire technical burden off my shoulders and make it appear, almost by magic, for me every single time.

My cast was great as well. Lenny, for example, blows me away with how incredibly generous an actor she is, having an excellent sense of how to balance the push-pull of onstage interaction. I chose the role of the Fool for her just to watch her GO, and she did not disappoint. For someone so big and active onstage, she really know how to share it, to extend when it's her time such that she holds the eye captive, and to withdraw to allow attention to shift to those onstage with her. She and Andrew have a particularly remarkable ability to read one another, to pick up on where the other is going and then to move to meet and balance them. I saw it first in Othello when they played Iago and Roderigo, but it definitely showed here too. Andrew himself is finally really hitting his stride as an actor, learning how to use his physicality, make effective choices, and convey expression with his voice. I can't wait to see how he continues to grow; this was a very good semester for him, first with an important serious role in Margaret, and then a comedic one in Merely Players.

Steph was so great in her part as the Director. The character was very much outside her acting experience, and she'd also never done comedy before, so the great work she did here really impressed me with her stretching. The character is in many ways one big parody of yours truly, and Steph exaggerated many of my habits and mannerisms to great effect. I loved how she threw herself into it, pushed herself and tried stuff to see what worked. I think she was one of the funniest parts of the show and probably my favorite of the characters.

I love Gigi's acting. I find her to be incredibly expressive and her enthusiasm makes her a joy to work with. She was my first choice for the role of the Ingenue because pretty much all of her previous roles required her to portray a more mature and dignified presence, something she is very good at, but I love seeing people do things that are different. She was adorable and charming, using a lot of her natural energy to bring the character to life.

Ben was just perfect as the Lead. I don't think he's ever had such a large important role before, so the chance to really get into and develop a character helped him immensely. I find it is often the case that an actor with growing room will often make a lot of progress if trusted with a part he can really work with. Ben has a gift for comedy, which helped, but I think it also encouraged him to create a definite physicality and expressiveness in letting him cut loose and really own the stage. I wonder if he can translate that forward leap into drama as well, and I look forward to seeing what he's like in his next role.

I just fell in love with [livejournal.com profile] niobien's work. The play would not support another person with dialogue, but I wanted to have a stage manager character in there. It was Bernie's suggestion to make the character silent. It turned out to be the coolest idea. People have a prejudice against non-speaking roles as less important, but pantomime is a difficult and dying art and I did NOT write this role to be a throwaway. It takes a lot of skill and effort to convey yourself without getting to say what you're thinking. Carolyn was amazing at that. She's never done a show as an actor before, but she was so enthusiastic and adventurous. Her expressions and her instincts were wonderful, making the character funny, endearing, and totally readable. I'd love to work with her again in a speaking role, but I am so glad that I trusted the difficult challenge of building a character out of pantomime to her.

April made for an excellent Diva. She learned to balance the over-the-topness of her character's humor with the occasional moments that demanded real, serious acting. She had great chemistry with Ben, and they made for some really fabulous interaction. Those two characters are supposed to constantly try to outdo each other, and it's no small thing that they managed to convey that without actually upstaging each other or failing to work together on the meta-level.

I also loved the visual texture provided by the techie characters, Emma, Jenna, and Miriam. Having them support the scenes made for so much additional humor. Their pieces required a lot of timing, energy, and discernment to nail just right, and they did wonderful things with it. This is a very pro-techie show, you'll notice, depicting them as the most competent and least screwed-up people involved. Though make what you will of my choosing to make the stage manager the silent character; some would say I have stolen that technical voice, while others may see it as a a reflection of how she's given up in the wake of so much actor madness.

Thus concludes my second produced play. Here's hoping that things continue on this vein, and I am blessed with such wonderful collaborators who will help me put on my work. Thank you again, all who shared the experience with me, and came to see the results of our labors. <3

breakinglight11: (Bowing Fool)
“All the world's a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages.” —Jacques, As You Like It, II.ii.139-166


Meet the Walking Shadows, a ragtag little troupe of Shakespearean actors as they struggle to revitalize a company that has seen better days! Come join us for this fun and funny Shakespeare revue that intersperses scenes from the Bard's most famous work with original comedic material poking fun at the nature of performing in a troupe and working together to make theater.

Seating is cabaret-style, with drinks and snacks available for purchase! All proceeds benefit future productions of Hold Thy Peace. Cash only, please.

Two nights only!
November 11th at 8PM
November 12th at 8PM

in Schwartz Auditorium at Brandeis University

Runtime: ~1 hour

Admission is free, donations gladly accepted

CAST
CORNELIA, the Director - Stephanie Karol (Goneril, Helena, Mark Antony, Thalia, Duchess of Gloucester)
SYLVIA, the Ingenue - Gabrielle Geller (Lady Capulet, Portia, Hermione)
DIONYZA, the Diva - April Farmer (Regan, Nurse, Decius, Shepherd)
MALCOLM, the Lead - Ben Federlin (Montano, King Lewis of France)
ORLANDO, the Lover - Andrew Prentice (Lord Montague, Cleomenes, Roderigo, Edward of York)
ARCITE, the Fool - Lenny Somervell (Edgar, Theseus, Autolycus, Iago)
VALERIA, the First Chorus - Jenna Schlags (Oswald, Mamilius, Emilia)
CRESSIDA, the Second Chorus - Emma Lieberman (Perdita, Bianca, Lady Bona)
CHARMIAN, the Third Chorus - Miriam Goldman (Brabantia)
Introducing
AUDREY, the Stage Manager - Carolyn Daitch
with
Waitresses - Caitlin Partridge (Juliet, Casca, Euphrosyne, Camilla, Desdemona, Margaret) and Charlotte Oswald (Hippolyta, Selene, Duchess of Venice, Duke of Gloucester)
Bartender - Jonathan Plesser (Albany, Lysander, Friar Lawrence, Julius Caesar, Damon, Polixenes, Othello, Duke of Suffolk)

CREW
Writer, Director, Costume Designer - Phoebe Roberts
Stage Manager, Technical Designer - Bernie Gabin
Producer, Research Assistant - Stephanie Karol
Hair and Makeup Artist, Choreography Assistant - Rachel Feldman
Choreography Assistant - Carolyn Daitch

Profile

breakinglight11: (Default)
breakinglight11

August 2025

S M T W T F S
      1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31      

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Sep. 4th, 2025 12:00 pm
Powered by Dreamwidth Studios