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There was this funny thing my mother used to do-- I suppose this joke or reference she'd make sometimes --when she thought somebody was being overdramatic about a situation. It's a little tricky to describe, but basically she'd hold up her hand, palm facing front with fingers spread, and shake it, while saying in a kind of wobbly voice, "Woe!" It was meant to indicate that the situation wasn't that big a deal, and she felt somebody was being a little silly being so miffed about it. While the meaning of the gesture is clear without a ton of explanation, I somehow also got an impression of where the gesture came from, so to speak, and I can't recall where I got it from.

I have always been under the impression that the bit was meant to represent a court jester holding a little head-on-a-stick version of himself-- Google tells me this is called a marotte --acting as a Greek chorus to whatever the king said. So, like, if the king is lamenting some terrible thing, the jester backs him up by shaking the head-on-a-stick and crying "Woe!" In my mom's impression, the wiggling raised hand is meant to represent the jingling marotte, and the "Woe!" becomes sarcastic.

Thing is, I don't know where this understanding of the gesture came from. I can't remember if Mom ever explained to me that that was what she was doing, or if I actually saw it somewhere and put two and two together. Wish I could ask her. Has anybody ever seen something like this? Or did I complete hallucinate this explanation and graft it onto that weird little thing my mom did?

I don't know why I was thinking about this today, but it came into my head.
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I just remembered something that kind of made me laugh.

Years ago, I was writing a small, short, funny larp that was supposed to capture the feel of the Blandings stories of P.G. Wodehouse. None of his characters, but that kind of silly rich people in that kind of Interwar British country world. In that vein, I wrote a character kind of like the Honorable Freddie Threepwood, a good-natured but stupid posh ne'er-do-well, whom I named Gavin Alaric Post II-- in honor of his mother's beloved late bichon frisé, whose portrait still hung on the manor wall, to remind the second Gavin of all he could never live up to.

(That is, in my opinion, the second best joke in the game. The first is, of course, the reason why the earl's prize show pig Persephone is currently unable to compete, having come down with a case of porcine ennui.)

Anyway, one of Gavin's current problems, as shiftless Wodehouse gentlemen of his station are wont, is that he has fallen in love with a chorus girl, but already has a history of romantic entanglement with her sister. I decided to name his current lady love Bonnie Day as a bit of a cute pun, "bonne ideé" being the French for "good idea." It struck me then, that it might be equally amusing to call his former paramour "Molly Day," as my schoolgirl French led me to remember that "mal" is often the word for "bad".

I was feeling quite pleased with myself until, out of an abundance of prudence, I happen to actually look up how you say "bad idea" in French-- which as it turns out, is not "mal ideé" but actually "mauvais ideé". Yet again, I fail my many, many years of French education! I was quite put out, since I was feeling so smug in my own cleverness.

I can't remember if I used it anyway. Heh, I probably did. Even if it may have made me look dumb rather than clever! But I just laughed so much at the idea, I don't know if I could resist...
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It made me smile to learn that they were making a sequel series to Willow, the 1988 fantasy movie starring Warwick Davis. Normally I’m not a huge fan of decades-later sequels, but Willow has a special place in my heart, and I’m kind of happy to hear there’s new interest in it. It’s not exactly an amazing film, but I’ve enjoyed it since I was young. And there are two particular things about it, in my opinion, that made it special.

The first of which is Warwick Davis himself. I think that in a less ableist world, he would have become not just, like, a beloved specialty actor, but a star— if nothing else, maybe something like Peter Dinklage. He’s not a thespian on Dinklage’s level, but he is an utterly charming and engaging screen presence. And he’s just wonderful as Willow Ufgood. Compelling, lovable, sympathetic, believable. I was floored to learn he was just eighteen years old when he played that role— to carry a whole film like that so young is quite a feat. And he has the most beautiful face. I remember being struck by it when I was small and the impression of it never left me. A face made to be onscreen, full of expression and life, with a light of its own. Willow’s face is so beautiful.

The second is the kind of hero Willow is. He is the one who goes on the quest not because he is a great warrior, or an aspiring sorcerer. It’s because he’s a father. The task is to see that a special baby is saved from the witch who is hunting her, and Willow has to be the one to do it, because he has come to love her and knows how to care for her. Willow has the sweetest little family, a wife and two children he loves, and they don’t have to die to further his growth; he’s just delighted to get to come back to them. And I particularly love how baby care is explicitly part of what he brings to the adventure. Willow often references what to feed her, changing her, how to transport her safely, a depiction of parental tenderness that is so rarely seen in male adventure heroes. His heroism is in love and compassion above all. It’s one of the reasons I was so impressed to hear he was only eighteen years old, that such a young person was so believable as a family man, while still feeling quite young. In fact, I think this young man as a father while setting off on adventure inspired me when I was conceiving of Nathaniel Hawking, who also has two little kids at the beginning of his journey.

Bernie and I rewatched the movie the other night, and I enjoyed it as much as I ever have. We’ve started the new series, which honestly is just okay, but I’m liking it all the same. Willow deserves a little more love for being something special.
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For the first time as an adult and after many, many years, I have made my favorite dessert as a child— a chocolate dream pie in an Oreo crust.

My mother wouldn’t make a lot of processed desserts when we were growing up, but this is the one. Dream whip mixed with pudding mix and milk, beaten to a fluffy consistency and chilled, in a crust made out of Oreo cookies. My favorite thing to eat in the world as a little kid.

My tastes as an adult don’t run as a sweet as they did when I was a kid, so I’m not a hundred percent sure I’ll like it anymore. But it’s chilling in the fridge now, and I’m excited to try.



I have sampled it now. It’s a LOT, so I can’t exactly inhale it the way I used to when I was little. But it’s very tasty, and even though I’m not a person with a lot of sensory memories, I took a bite and it tasted like a dozen Christmases. 🙂 That made me smile.

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I should be asleep. But instead all I can think about is how, in the most 70’s interior design feature of all time, there was a closet labeled “closet” in the negative space of an earth tone racing stripe painted across the apartment in Welcome Back, Kotter.

Why can I not find a clearer picture of this, the most deeply iconic of bad taste in 1970s aesthetics? Why are there not more images of the closet labeled “closet”?



When I was a kid, I would sneak out of bed at night sometimes to watch Nick at Nite, which exposed me to Welcome Back, Kotter. The existence of the “closet” closet has obsessed me ever since.

Ah, here we go. The CLOSET:



What's funny is in my child's memory it was EVEN BIGGER and WEIRDER LOOKING. I recalled it as being burnt orange, and climbing up the whole wall in groovy 70s font. Compared to that, the reality is almost subtle and tasteful. Oh, the whimsy of childhood.

Clearly this is a home decor project I must pursue. ONLY MINE SHALL MATCH MY BLUE AND WHITE OLD LADY COLOR SCHEME. Can't you just see it here?



When I have a real person house, I will label EVERY door with CLOSET.
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There's a writer whose work I really loved by the name of Christine Morgan.

She's not famous, or at least not more than Internet-famous, and only back in the early days of the concept. I came upon her when I was in high school or so, when I was rediscovering my love for the 90s Disney animated show "Gargoyles." She was known as basically THE premier writer of Gargoyles fan fiction. She wrote over a hundred stories, including multi-installment spinoffs, building upon the existing narrative to make her own decades-spanning cosmology, and it was wonderful. Beautifully written, evocative, cohesive, engaging, and often sexy— her stories were the first erotica I ever read. I followed her obsessively for years, and she never disappointed, even when she brought her massive series to a conclusion to focus on original work. She captured the tone of the show so effectively, she used words so masterfully, she carried out character arcs so powerfully. The way she wrote Goliath and Elisa had a profound impact on the way I think of romance to this day.

When she transitioned to mostly original work, I followed her into that as well. She was an old-school roleplay gamer, and published novels that took place in a campaign setting she'd made. Generally I dislike "game fiction" for the way it tends to sacrifice literary merit for gratifying its creator, but she even made that work. I even bought horror novels— which at the time I was a little ooky about —because she wrote them. As time went by, I kind of lost track of her, but to this day I truly believe she is a great writer.

But even though she's still writing to this day, it strikes me that she never really... made it. Most if not all of her novels, including those early ones that I read, are self-published. She seems to fairly regularly get stories in fantasy, horror, or erotica anthologies, but they all appear to be what could charitably be described as "indie press." I mean no disrespect, as God knows what a rough game writing is, but I kind of expected more. She genuinely has the skill. And she could get shit DONE; she always wrote so fast, and generated an incredible amount of work. Why did she never manage to get published— at least, by any entity that seems at all serious, or at least not incredibly niche?

Was that not her goal? Did she not submit to more mainstream publishers? Was she bad at querying and couldn't get attention? Was the nature of her work— often kind of grindhouse-y in subject matter, like extreme horror or straight-up pornographic — prohibitive to that? Or did she just never get picked up, despite the fact that she really could put a story together? How could someone so talented have stayed so... small time?

I don't know. Maybe to her, she's exactly where she wants to be, with exactly the career she aimed for. But I guess, with my toxic level of ambition, I couldn't help but expect more. It kind of haunts me. If she couldn't really make it— someone with talent, creativity, and an incredible work ethic —what chance do the rest of us have?
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Last year I started a practice where whenever something good happens, I write it down and put it aside to look at on New Years. 2016 was an awful year, and honestly I expect 2017 to be worse, but in the interest of practicing gratitude and not getting bogged down in negativity, it's good to focus on good things too.

I notice a lot of this stuff is similar to last year-- it's clear what sort of thing I consider to be a success --which at first glance made me feel like I didn't make much progress. But it actually shows small steps forward, such as breaking into screenwriting and improving my day job situation. And small steps build up, right? So focusing on the fact that I did show forward growth is good for me.

1. Mrs. Hawking and Vivat Regina were performed at Arisia 2016 to an audience of over 400
2. Mrs. Hawking and Vivat Regina were performed again at Watch City Steampunk Festival 2016 to an audience of about 150
3. Vivat Regina and Base Instruments were accepted for performance at Arisia 2017
4. Vivat Regina and Base Instruments were accepted for performance at Watch City Steampunk Festival 2017
5. Started a relationship with one television executive who thinks my work is worth showing around
6. Lesley rehired me for both spring and fall semesters, with more classes and a higher rate each time
7. Base Instruments had a public staged reading with Bare Bones
8. I wrote a new television pilot, Hood, that has gotten some good response
9. I completed 31 Plays in 31 Days for the fifth time
10. I got Hood requested for reading three times
11. I found an acne treatment that worked for me and my skin looks clear
12. Most of the Hawking cast returned for the third round in a row
13. Even with the departure of my old friend, I was able to find a great actress to play Mrs. Hawking
14. Started a relationship with a second television executive who thinks my work is worth showing around
15. I made more money this year than I did last year
16. Bernie got a new job
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Every time I see the cultural impact the film The Princess Bride has had, at least in the nerd community, I think of a kid I went to high school with. His name, if I remember correctly, was Jared Miller, and he said Princess Bride was his favorite movie. But most of the other kids didn't really know it, or at least didn't get it. They I think judged it mostly from the title, and thought it was either too girly or else a kiddie movie, so he always got a lot of shit for it. Nothing that intense, as I recall, but nobody understood why that would be the favorite movie of a teenaged boy. I remember respecting him because he didn't back down from his professed liking of the film just because other kids made fun of him for it.

It wasn't until I got to college that I met a lot of people who appreciated The Princess Bride. I always wondered if it was the same for him, and if he ever eventually met people who realized that he was ahead of that particular cultural curve. I didn't know Jared Miller that well. I don't remember much else about him. But I think of him sometimes because of that movie. And I hope that when he moved on in life, he encountered people who got it, and it validated him.
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Apparently they're making a sequel to this horror movie from a few years back called The Conjuring. It makes me weirdly melancholy. See, my mom always loved horror movies, but never had anyone in the family to see them with her. When we were kids we didn't like them, so she always had to find somebody else to go with if she wanted to catch one in the theater. But then, when the first Conjuring came out, she said, "I saw enough of your movies when you were kids. How about you see one of mine for once?" So I ended up seeing that film, that I probably never would have on my own, as the one and only time I went with her to one of her horror flicks. Seeing that there's a sequel makes me particularly miss her. I still don't really like horror movies, but I'd take her to that one if I could.

On the lighter side, I think I'll tell her funny story of why she could never watch The Exorcist with a straight face. She was in college when it came out, already a fan of the weird and creepy, and was SUPER excited for it. Everything she heard said it was INCREDIBLY SCARY, like, the best horror film ever. She was pretty hard to scare, and she was looking forward to something that might actually be able to get to her. So she got tickets and went to see it in a packed theater.

And she spent the whole damn movie cracking up. Why? Because everyone in the theater was FREAKING THE HELL OUT. She told me they were yelling at the screen, falling out of their chairs, rolling around in aisles. They were trying to warn the characters of danger, calling out to God, screaming at every scary turn. It sounded like a particularly frightened version of MST3K. And my mom was utterly unable to find it scary, even though it was supposed to be this superb horror story, because she found the carrying-on so hilarious. And ever after that, she couldn't watch The Exorcist without cracking up at the thought of all those people. So much for the scariest horror film ever made!
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Today would have been my mother's sixty-third birthday. My dad took this picture of a page of one of her journals and sent it today:



She was a big fan of Dune and said that a lot. We put it on her prayer card at her funeral. I always think of her when I hear it.

I haven't actually read Dune. Weird, since I'm the only real nerd in my family, but all the others love it. I should get to it someday, if only because it meant so much to my mom and I'd like to see what she saw.
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Nostalgia seems to be a big thing lately, at least if society perceives you to be a nerd. The media lately is all about making money by reviving so-called “nostalgia properties,” making rebooted versions of things you supposedly will see now because you liked them as a kid.

Generally I’m not really that susceptible to nostalgia. Not because I’m any more sophisticated than anyone else, but because of how my memory works. As in, my memory kind of DOESN’T work, at least not in that particular way. I retain very few experiential memories of anything longer than a few months ago. Sure, I more or less remember what happened in my life, but only as facts, or at best as narratives— I have the story, in words, of what happened to me. Of sense memories, of what it felt like to actually be present in those memories, such as images in my head or sensations or sounds or smells, I have practically none. And correspondingly, with that level of remove from my own memories, I have very few emotional connections to those experiences. At least, not the kind of emotional connections that nostalgia plays on.

I tend not to hold onto my past because of this, which is a two-edged sword. The upside is I move on from difficult times pretty quickly and easily. I don’t have many emotional scars. Old shames, embarrassments, disappointments, and pains just kind of fade. But the downside is most of the positive feelings of my past don’t really endure either. They don’t make much in the way of lasting marks. I have a few, of course, but not many. My mother is the most major one. I hope to God I never forget the experience of my mother. I still have what it was like to look at her and be around her and how she loved me and the sound of her voice.

But recently a weird nostalgic feeling has crept over me a lot, for some things that once meant the whole world to me but in recent years I haven’t thought much of. And I’m not exactly sure why. Moreover, it’s been making me very sad to think of, and I don’t know why. I might talk more about this later. But it reminds me of when Don Draper explained on Mad Men that the word nostalgia comes from the Greek, meaning “the pain from an old wound.” I guess this was an old wound to me. But you’d think having moved on from it would mean it wouldn’t hurt anymore. I guess I’d figured it healed.
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I did an experiment this year where you write down everything good that happens to you and put it in a jar, then look at it all at the end of the year. Here's what I wrote down:

1. I debuted Mrs. Hawking at Arisia 2015.
2. I got an audience of 135 people in a difficult timeslot for Mrs. Hawking at Arisia 2015.
3. I got Adonis into the top ten percent of the 2015 BlueCat Screenwriting Contest.
4. I got to put up Mrs. Hawking a second time at the Watch City Steampunk Festival 2015.
5. I got an audience of 136 people at the Watch City Steampunk Festival 2015.
6. I got Adonis requested for reading by a producer I pitched to.
7. I got hired to teach at Lesley University.
8. I got hired to teach at North Shore Community College.
9. I got Adonis requested for reading by a producer a second time.
10. I got Adonis requested for reading by a producer a third time.
11. I completed 31 Plays in 31 Days for the fourth time.
12. I finished writing Base Instruments, completing the first Mrs. Hawking trilogy.
13. My face is clearer than it's been in years.
14. I got into the best and most beautiful shape of my life.
15. I helped launch Game Wrap Magazine and contributed content to it.
16. I got Mrs. Hawking and Vivat Regina accepted for performance at Arisia 2016.
17. Most of the Mrs. Hawking cast wanted to come back for the Arisia 2016 production.
18. Some friends stepped up with interest to be in Mrs. Hawking and Vivat Regina.
19. I made more money this year than I ever have in the past with my new jobs.
20. A producer liked my Adonis script and recommended it to a company that might want to make it.
21. I got a good evaluation of my teaching for my first semester at Lesley.
22. Bernie successfully defended his thesis and earned his doctorate.
23. I got Adonis requested for reading by a producer for a fourth time.

I thought this would be a good exercise for me as a way to focus on gratitude and positivity. And there's some real successes in this. This was a good year for me. I need to focus on how far I've come, because it will help me believe in myself for how far I need to go.
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Now is the time of year I look back on the resolutions I made at the beginning and see how well I held to them. A lot of people don't find resolutions helpful in anyway, but I always do, so I always make them. I don't always hold to them perfectly, but having goals gives me direction and motivation, and I prefer to set them in that way.

2015 was a better year than the previous. I had good things happen, I had steps forward made. There was less tragedy and depression for me personally, even though I became more worried about a lot of bad things in the larger world. Let's see how that reflected in the meeting of my goals.

1. Bring the Mrs. Hawking property to the next step. Not exactly sure what that is yet, but I hope to build some momentum from the Arisia producton, and I want to make the most of it. I think this property could really be something, and I am determined to make that happen.

Well, the show has been accepted for three performances, plus one more of the sequel. I think that counts. I'm not sure it's any better known or closer to making the kind of splash I want it to make, but it's something. Got to keep working on this one.

2. Keep writing new things. Specifically, I want to write both Base Instruments, the next Mrs. Hawking story, as well as the first sequel to Adonis.

While I did finish Base Instruments, and in my opinion it came out very well, I did a little less writing this year than I normally do. The first sequel to Adonis sadly did not happen. But because I know it was because I spent more time producing my work, plus having more serious professional commitments. I need to be okay with the idea that productive and generative phases come in waves.

3. Get my submission rate up. The only way I will see progress with my writing is if I get it out there. I may set a concrete goal for this, like, say, three to five submissions per week.

Well, I didn't get my play submission rate up, but I have branched out into pitching my screenwriting, which I think is what really I should be focusing on these days. And it's been to some encouraging results! So I'll call that fulfilling the spirit, if not the letter.

4. Keep up my fitness level, and improve it if I can. I always want to be stronger, faster, leaner, harder, more toned.

NAILED IT. I spent six months of this year on increasingly rigorous diet and exercise regimes, and with my current one, I am leaner, harder, and more toned than ever. I love it.

5. Get my finances in order. They have been off for over a year now, and putting on Mrs. Hawking hasn't helped. But as soon as that's finished, I need to get serious about it.

Finally managed this. It helped that I got two better-paying jobs and suddenly was making more money than I ever had been.

6. Get in the habit of reading books. Maybe another concrete goal would help? One book a week, something like that? I miss how much I used to read complete books, as opposed to only scripts and blog posts the way I do now.

Yeah, no. Not at all. The only complete new book I read this year was A Wrinkle in Time for my lit class, plus pieces of Sundiata: An Epic of Old Mali by D.T. Niane. I really hate that I've basically lost my ability to focus on long form and so have stopped reading any. I'm ashamed of that.

7. Maintain my important relationships. Love my father, my brother, and Bernie the way they deserve. Keep up with my friends and make them feel valued and cared for. I've been more hermited than usual lately, and I don't want to lose the people who are important to me.

Yes. I think I did this one okay, even with Bernie being away for all of this year.

8. I guess I will put keeping an eye to some sort of professional improvement. I'm notoriously bad at the job-finding process, but I think I need to improve my day job status in hopes of having some sort of financial security in addition to furthering my real, artistic work.

I did even better on this than I thought I would! I got two adjunct professor jobs, which were a real professional step up for me, one of which at a four-year university. I'm proud of that. This is a path I'd like to continue as long as I have to have a day job.

9. Keep working on being a kinder person, keeping my temper, and being less judgmental. Always until the day I die.

Keep on keepin' on.

10. Keep on learning to be hopeful. Always a struggle for me, but so necessary.

Actually I think I did better on this than I have before. It's not easy for me. But I kept mostly steady this year. That's something.
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My favorite Christmas memory, possibly my favorite memory of my childhood-- of which I honestly don't have many --was from this one Christmas Eve party my parents threw when I was small. It wasn't from the party itself, but from the preparation during the day preceeding.

I don't remember how old I was, but less than ten years old. We lived in San Jose, California, which is near San Francisco. And I remember my dad and I went all around the city buying the supplies for the party. We went to the fish market on Race Street, crowded with people waving their number tickets, to pick up the seven fishes we needed for the Italian tradition. We went to the butcher shop, where we bought an actual prime rib for the centerpiece of the meal. We went to the wine store, where I thought the shopping carts were oddly child-sized for a place full of adult beverages. And we went to an artisanal chocolate shop, where there was a woman sitting in the window with a sheet of melted chocolate before her, rolling little chocolate candies by hand. Little Phoebe, then obsessed with chocolate, had her eyes bug out of her head at the thought that was somebody's job, and being in awe that she could resist licking her fingers.

That party was amazing. My parents went all out, with the food, the decorations, tons of people. My Mom wore her hair in waves and wore a green velvet dress. Some people remarked at the time that it was the best meal they'd ever eaten. But as fun as the party was, the part that stayed with me the most was that shopping trip, holding my dad's hand, going all over the city to get just the right stuff.

Someday I want to throw a holiday party like that. Where I do that level of decorating and cooking for my loved ones. Where going to all the different specialty shops is part of the celebrating.

Maybe someday with my own kid.

Punkinhead

Nov. 2nd, 2015 06:00 am
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My mother loved Halloween.

My earliest childhood was in San Jose, California, and they took Halloween very seriously there. They decorated like crazy, sometimes so elaborately and realistically they actively scared the smaller kids. I remember one year my mom made this graveyard for our front yard. She cut twenty large pieces of styrofoam into various tombstone shapes. She covered them all with spackle that she mixed with black and gray paint to make them look like stone. And she burned "engravings" into them-- names, symbols, the occasional R.I.P. She used a woodburning tool, which she admitted later was probably a terrible idea because of the fumes from the melting plastic, but it let her carve quickly with a high degree of control. And the stones were all in the names of various figures from pop culture. I don't remember most of them, though they were all pretty clever. What were they? I seem to recall Dick Tracey was one of them. Horror figures-- Dracula, Victor Frankenstein. I can picture the one she made for Swamp Thing very vividly. It has SWAMP THING burned across the top, and a neat little stylized symbol of a hand reaching up out of a swamp.

She set them out in our yard at semi-regular intervals. She strewed around dead flowers and fake spiderwebs. It looked amazing. I wish we still had them.

She also couldn't pronounce "pumpkin" properly. She said "punkin." It makes me smile.
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I have talked about my mother’s death here before. But today, on the one-year anniversary of her passing, I want to talk about the night she died. I don’t have much point to make. This is a very disjointed, stream-of-consciousness entry. But I’m ready to talk about it, and I want to have a record of what it was like.

Casey, Sarah, and I drove down together. We came home into a very clean house—partially, I think, for all the people who would be coming in, and partially as way for my dad to feel in control. He’s a strong man— believe me when I say almost impossibly so —but he channels stress into things like that. He had food waiting for us. And he took us upstairs to see Mom.

They had put a hospital bed next to the big bed in their bedroom. That was good, she hadn’t wanted to die in the hospital. She wasn’t conscious; she was on a sort of liquid morphine that basically knocked her out. They put her on oxygen, but it wasn’t doing much good, and she kept gasping, trying to breathe. She couldn’t, really, but her body would try to anyway.

Dad was so in tune with her condition, with everything he’d done to take care of her. He’d called the previous day and said it would happen very soon. And we went home the next day, because he was right.

He asked if we remembered the part in Harry Potter with the thestrals, which are only visible to you after you’ve seen someone die. “I think we’re going to see thestrals soon.” He’s not usually one to talk in literary references, so that one struck me.

A hospice nurse came and spoke to us. We were kind of normal and together, which I think surprised them a little. But we don’t act out in front of strangers. I was proud, though, when the nurse took a moment to tell my dad how impressed they all were with how my dad took care of her. She actually said she’d never seen anything like it. He is strong, and he loves her.

It was very surreal. How normal it was, while Mom was right there dying. Mostly it was waiting. We’d sit with her for a while, holding her hand, talking to her. My dad and my brother had a lot to say. How much they loved her, but how it was okay for her to go, that she didn’t need to hurt anymore. Neither of them have ever been afraid of or uncomfortable with their emotions, but their frankness and their verbosity impressed me. This process made my brother a lot softer. And my dad, well, he’s perceived by some to be a hard, intense man. But he loved my mother utterly. Reordered his whole life to be there for her in her illness. And damn certain he was going to tell her everything as she died.

Dad told us stories of how they met, when they were young. How they were friends for years before they ever dated. How after graduation they traveled cross country to Yellowstone National Park in a van with three other friends and a German Shepherd. How they were camping in the park, smoked some weed, and went swimming at the same time there happened to be an earthquake, but because they were high, they weren’t sure if they imagined it or not. How my mom said to my dad, “If you grow up a bit, you might be worth keeping.” It made me smile to hear all that. Funny to think of my straight laced parents being cooler and more adventurous than me.

I just cried a little, quietly. Weirdly, I found I didn’t know what to say, and felt too embarrassed to try. Words are supposed to be my thing, and I didn’t have any for my dying mother.

It’s okay. She knew how I felt, and she couldn’t hear anything anyway. But it was weird.

So we sat with her, listening to her try to breathe. Then we’d get hungry, or have something to do, so we’d wander off and do it. Dad had a little camera set up in the room, so we could watch her from the kitchen. In case it happened, we could rush up and be there.

She looked like a scary troll. I feel awful about thinking that, but she did. Not like my mother at all. Her hair was gone, her face and body were bloated and stressed. She had tubes coming out of her all over. Horrifying. The picture of death.

We took a picture of her. Not sure why. I guess because it was real, it happened, and there’s no pretending that it didn’t. I have it and Casey has it, but my dad asked us not to show it to anyone. It’s private. It’s the last picture of my mother on this earth.

Casey’s girlfriend Sarah was with us. My family is private, intensely so, so it was a question as to whether or not she would come for this part of things. Bernie was working, so in deference to both of those things I had chosen not to bug him until there was actually a funeral. Dad probably would have been okay if Bernie came. Though in fairness he hasn’t known Bernie as long. Casey and Sarah had been together for like six years then, and he wanted her there, and Dad was fine with that.

Sarah was so good. The whole time I couldn’t imagine how awkward everything had to be for her. Being in the middle of other people’s uncomfortable, private, tragic moment. But she was perfect, being present and quietly, lovingly supporting my brother. I have so much respect for how she conducted herself in what had to be a deeply difficult situation. I already liked Sarah, but that was when she became family.

It was late when it happened. When the life finally slipped out of her. Her breath, already choppy, became more and more infrequent. She twitched for a while. Then she was still.

I posted on Livejournal when it happened. And Twitter, I think. That’s probably kind of sick that I even thought of it. But I wanted to mark the moment.

Dad called the hospice. They would send the right people. So we waited, there in the bedroom with the remains of Mom. I had been laying on my parents’ bed, right beside her hospital bed. I stayed there, staring at her as she went cold. Her skin became so gray, that weird troll that replaced my mother.

Nobody came for a long time. Everyone curled up someplace and slept. I don’t know where everyone ended up. I think Casey was on the floor. I slept there beside her. It didn’t seem strange. She was either a sack of dead disease, or she was my mother. I’m not afraid of either.

The hospice nurse came. I dragged myself up, sat in a chair and was polite. Same as I was with the nurse the previous day, be nice to the stranger, have good manners, even if you just lost the most important person. She asked for all mom’s medications and destroyed them. She was decent and said nice things, but I don't really remember what they were.

Two men in suits came from the funeral home. My dad remarked how weird it seemed to come ready to move a body dressed in a suit, but I guess it was supposed to be gesture of respect. They were very careful gathering her up, zipping her into the body bag. I watched them do it, which likely made them take extra pains, but honestly I didn’t care. In that gray shell there was more remaining of the cancer that killed her than there was of my mother. What did I care what happened to a dead sack of tumors, when the person who bore me, raised me, loved me, made me who I am, was already gone forever?

I went to my own room and slept. The next day, I stripped the hospital bed, washed the clothes, made up the guest bed. They were the only sheets we had that fit it. Bernie and I slept that night on the sheets my mother died on.

I mention all this because it feels like it should have been weird or creepy. But none of it was. At least not to me. I just love her, and miss her, and I still don’t quite believe she’s gone.
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Today would have been my mother's sixty-second birthday, the first pass of her birthday since she died.

I don't really know what to say about it, except that I'm thinking about her. Even more than usual. I'm sure everyone has noticed how much I talk about her. Maybe I do it too much, maybe people don't want to hear about it. But I like to talk about her. I just loved and admired her so much, the loss of her gapes, and it helps me feel like she's a little less missing from my life.

I'm a little surprised to think she's been gone almost a year. It doesn't feel that long. I remember her last birthday. It was pretty much the last time she left the house. We took her to Bolete, one of the nicest French country restaurants in America. We had a nice time all together, but she couldn't eat much. She was so sick then. She stopped treatment less than a week later. Two months later she was dead.

My family aren't really birthday people. But at least they mean you're getting older.
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God, I haven't written in so long. Hate when I do that, but the holiday time with family and other assorted busy times got me. But now's the time I review my resolutions from the previous years and see how I did.

This year was hard for me as it saw the death of my mother, and the recurrence of my depression. Not to mention the tragedies happening in America and the larger world. But I believe I rose to my personal challenges and handled them with a level of grace I am proud of. Let's check out how that impacted the things I wanted to do in 2014:

1. Advance my career as a playwright somehow. That's a pretty ambitious resolution, and I'm not exactly sure how to go about that, so I will define it vaguely as that for now. But I want to do something that I can count as an advancement of my playwriting career.

I would say this happened! I finally found a way to get Mrs. Hawking produced in 2014, which is a very significant thing for me as a writer. I am proud to say resulted in the upcoming Arisia production of Mrs. Hawking to be seen as part of the con, at 6PM on Friday, January 16th at the Westin Boston Watefront.

2. Keep writing. Write more things of any kind. I've been on a hot streak when it comes to content creation lately, and I want to keep up my progress.

Did this in spades! I wrote so many things! I improved my Vivat Regina play to version 4 and The Tailor at Loring's End to version 7. New pieces included Puzzle House Blues to version 5, and of course my Adonis screenplay to version 5, which is quite possibly the best thing I've ever written. Plus two larps, Privy Council and Brockhurst, my Cabin Pressure fan fiction, and lots of scenes! Check out the complete list of everything I wrote in 2014 here.

3. Get my submission rate up to a good number at regular intervals. The more I submit my pieces, the better chance I have of having them performed.

Heh, this is funny. My submission rate never rose beyond mediocre, but the fact that I got Mrs. Hawking a venue for performance marks the biggest success I've had at this effort.

4. Keep up my fitness level. I love being so strong and fit and want to maintain, even improve upon it.

Hell, yeah. I dance ballet two to three times a week, plus had an intense circuit workout once a week. I look great and my physical health has probably never been better.

5. Get my finances in order. My budget was knocked out of whack because of my period of underemployment, so I want to get that back in a respectable state, as well as deal with my loans from graduate school.

Eh. Not so much. I've been in a tighter place financially in the past year despite making more money than I ever have, and I'm not exactly sure why. Funding Mrs. Hawking has definitely not helped. Still, I covered my bills and I'm not in debt other than school loans, so I guess it could be worse.

6. Improve my sewing skills. This means a lot to me and I haven't made a lot of time for it.

Completely fell by the wayside this year. Just wasn't time given all my other projects.

7. Improve my ballet skills. I want to get past this seeming plateau I've hit.

Definitely! I not only moved past my skill plateau, I have noticeably improved and I'm very proud of that.

8. Read more books. I've read almost no books in the last year due to difficulty focusing for long periods of time. I want to have full-length books in my brain again.

Hmmm, sort of! In the first third-to-half of the year, I read more book than I had in ages. Mostly P.G. Wodehouse, which I was introduced to at that time. But as the year went on, I broke the habit again. So, while I definitely improved my book consumption for the year, I did not retrain myself to consume books regularly.

9. Be good to my parents and spend as much time with them as possible. This gets more important every moment.

I did good with this, and I thank God that I did. My mother's illness finally took her from us in May of this year, and while it hurts and has changed my life in so many ways, I feel secure in the knowledge that I loved her as best I could while she was still with me. And that she knew just how much she meant to me.

10. Keep working on being a kinder person, keeping my temper, and being less judgmental. I can never let this one go.

Every little bit. I keep trying, and I like to think I am slowly improving. It's easier when you're not depressed all the time.

And a bonus one:

11. Keep working on learning how to be hopeful. It's all that carried me in the last few years, and I can't let that go now.


Again, every little bit. This one I can feel working.

So I would say that I fully accomplished seven of these and partially accomplished two. If I give myself a half-point for each of those, looks like I earned an eight out of eleven! Not too bad, eh? For such a rough year, that's something.
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Don't know why this is on my mind today. But I'm writing it here for the record.

My dad never gave up on my mom. He was the one who was chiefly responsible for taking care of her as she got sicker and sicker, and he was utterly devoted to it. Mom's healthcare people said they'd never seen anything like it. They must have been doing something right, as Mom got five and a half years with a cancer that basically has a zero percent six-year survival rate, and I think that had a lot to do with it. He saw what was happening to her more clearly than anyone, especially as she declined, but I admired the fact that he never gave her up for lost.

I kind of did, I'm ashamed to say. Not, fortunately, in any way that really affected how I treated her. But I remember things that suddenly seemed pointless because we knew she would be gone soon. Like, when her last birthday came around in March. I thought, should I even bother getting her a birthday gift? It's not like she cares about stuff at this point. She basically can't enjoy it. Is it worth it to bother?

But my dad never did that. I remember when she was diagnosed with her brain tumors and it was fairly certain that she had months, if not weeks, to live. He ordered the same cord of firewood he always ordered for the winter, because Mom always liked to have a fire in wintertime. Even though she probably wasn't going to live long enough to enjoy it, even though it was pretty much solely for her benefit, and he would have to be entirely responsible for the considerable amount of labor and trouble it involved. Because she liked it, and he never gave her up for lost.

She stopped eating in the last several weeks before she died. It didn't really matter at that point whether she ate or not, it was clear she was on her way out. But he never stopped trying to get her to eat. The hospice nurses said to give her cookies or ice cream. He said, "But she's not getting any nutrition." They asked him if he understood that she was dying. Of course he did. He just never stopped trying to take care of her.

Same thing with her pain meds. We're a somewhat pill-averse family, and they avoided her strong pain medications as much as they could. Again, the nurses questioned whether they understood how dire the circumstances were. But the pills made her sleepy and spacey, and they wanted to be able to still talk to each other. She only had a few days before the end when she could no longer communicate, and dad said one of the hardest parts was "when she stopped talking to me."

He never treated her like a dying person. They had all the same conversations, arguments, and jokes they always had. And he made sure she stayed as strong as she could under the circumstances. I love that he loved her like that.

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Was wandering around in a Michael’s killing time yesterday, and it reminded me powerfully of my mother. She was much more of a fine artist than a crafts person, but I remember many trips there to find things for her various projects— and my projects, which she always helped me on.

She was one of those people who was basically good at everything. She was a classically trained artist who had at least dabbled in most things— painting, drawing, set design, graphic design, sculpture, metalworking, printmaking, you name it. So whenever she needed to make something, she often had a grounding in the necessary skills, or at least something vaguely related. And she also had the natural advantages that help with that sort of thing, like steady hands, fine motor control, the ability to extrapolate how something might work based on something else she knew. So even if she had no familiarity with whatever artistic endeavor she needed to undertake, she could figure it out and somehow always manage to produce something that looked like she knew what she was doing. Like, when she made these fabulous masks for a production of Alice in Wonderland my brother was in, she did a little research, applied what she knew about stagecraft and sculpture, and did an amazing job.

And when I needed help with something, she would take my ramblings and incoherent descriptions and always make something that was exactly what I needed. When I needed big abstract castle banners that conveyed certain meanings for my production of Hamlet, she knocked them out. When I needed a gridded-off map of a cowboy town and the surrounding land with widows with secret information for my larp The Stand, she knocked that out too. She picked things up so easily, and always made such wonderful things. I’ve always envied her that. And admired her for it.

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